Introduction: Against uplift : performance, literature, and the queer Harlem Renaissance
American cabaret performance and the production of intimacy
The scene of Harlem cabaret : 1926 and after
Closing time : Langston Hughes and the queer poetics of Harlem nightlife
Rereading Du Bois reading McKay : uplift sociology and the problem of amusement
Lena Horne's impersona
Afterword: Irrealizing the queer Harlem Renaissance.