Introduction: plausible fictions of the real
From 'culture' to 'cultural work': literature and labor between the wars
The road to somewhere: locating knowledge in Erskine Caldwell and Margaret Bourke-White's You have seen their faces (1937)
Moving violations: stasis and mobility in James Agee and Walker Evans's Let us now praise famous men (1941)
From eye to we: Richard Wright's 12 million black voices, documentary, and pedagogy
'We Americans': Henry Luce, life, and the mind-guided camera
Epilogue: depression documentary and the knot of history.