Introduction
Creating diaspora: Caribbean migrant literature in England and North America, 1930s-1960s
Migrant bodies, scars and tattoos: art as terror and transformation in Edwidge Danticat's Brother I'm dying and The dew breaker
"Two places can make children": metaphysics, authorship and the borders of diaspora
Rethinking a Caribbean literary economy: Jamaica Kincaid's My brother and Beryl Gilroy's Frangipani House as remittance texts
"No abiding city"?: theorizing deportation in Caribbean migrant fiction
Afterword: on the edge of the world.