Review essay : E.T.A. Hoffmann's musical writings
Criticism, faith and the idée : A.B. Marx's early reception of Beethoven
Musical and intellectual values : interpreting the history of tonal theory
Method and motivation in Hugo Riemann's history of harmonic theory
A.B. Marx and the gendering of sonata form
Models of musical analysis : form
The criticism of analysis and the analysis of criticism
Theorists and 'the music itself'
How music matters : poetic content revisited
The second nature of the sonata form
Haydn and humor
Mozart's felix culpa : Così fan tutte and the irony of beauty
On the beautiful in Mozart
Our sublime Ninth
The 4 ages of Beethoven : critical reception and the canonic composer
Schubert and the sound of memory
Landscape as music, landscape as truth : Schubert and the burden of repetition
Novel symphonies and dramatic overtures.