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Re-Situating Public Theatre in Contemporary France Theatres and Their Publics

Title
Re-Situating Public Theatre in Contemporary France [electronic resource] : Theatres and Their Publics / by Ifigenia Gonis.
ISBN
9783031224720
Edition
1st ed. 2023.
Publication
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Physical Description
1 online resource (XI, 236 p.)
Local Notes
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Summary
This book examines the dynamics of the relational and spatial politics of contemporary French theatrical production, with a focus on four theatres in the Greater Paris region. It situates these dynamics within the intersection of the histories of the public theatre and theatre decentralization in France, and the dialogues between live performances and the larger frameworks of artistic direction and programming as well as various imaginations of the "public". Understanding these phenomena, as well as the politics that underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics. Dr. Ifigenia G. Gonis holds a PhD in Romance Languages and Literatures from Harvard University, USA. Her research interests include contemporary theatre studies, French cultural politics, and social justice. She is also an inaugural board member of the Boston-based Citizen TALES Commons. She currently teaches in Paris at the École Internationale Bilingue.
Variant and related titles
Springer ENIN.
Other formats
Printed edition:
Printed edition:
Printed edition:
Format
Books / Online
Language
English
Added to Catalog
June 09, 2023
Contents
I. Introduction: scenes from an occupation
II. Histories of Theatre Decentralization in France
III. Assemble: Wajdi Mouawad and the Théâtre National - La Colline
IV. Build: Philippe Quesne and the Théâtre Nanterre - Amandiers
V. Diversify: Hortense Archambault and the MC93, Bobigny
VI. Pluralize: Jean-Marie Hordé and the Théâtre de la Bastille
VII. Conclusion.
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