Introduction: The doors are open ...
Floorshow : a night out
The fall of Rome
Deep in the forest : Europe's goth history
"Mad, bad and dangerous to know" : the romantics and the Gothic imagination
Euro visions
The devil has the best tunes
Paint it black : the dark heart of the psychedelic Sixties
All the children are insane, or people are strange : the (un)holy trinity, The Doors/Velvets/Stooges
Wham bam thank you glam : the dark side of glam rock
Proto post-punk
The punk wars
"What was once unhealthily fresh is now a clean old hat" : post-punk to a very public image
Spellbound : Siouxsie & the Banshees
Feel the pain : The Damned
Ridicule is nothing to be scared of : Adam Ant
New dawn fades : Manchester & Joy Division
"The wreckers of Western civilisation ..." : industrial music
"I must fight this sickness ... find a cure" : The Cure
The naughty North and the sexy South
All we ever wanted was everything : Bauhaus
Lord of chaos : a dark & beautiful playground : Killing Joke
Release the bats! : Nick Cave
"I am not avant-garde, I am a deserter" : Blixa Bargeld, Einstürzend Neubauten & the reinvention of Berlin
Voodoo idols : the ballad of Lux and Ivy
First, last and always : how post-punk Leeds created goth & The Sisters of Mercy
Vagabonds Bradford : New Model Army & Joolz
Flowers in the forest : Southern Death Cult
Wanted dead or alive : how Liverpool opened the doors to a new (north) West Coast sound
Do you believe in the Westworld : Theatre of Hate
A new form of beauty : Virgin Prunes, Dublin : how Lypton Village changed a nation
"Good poetry can still resonate louder than a thousand guns" : Rammstein for grown-ups : Laibach
At the gates of silent memory : Fields of the Nephilim
Darklands : how the dark energy infected indie
"We sing to the gods to be free" : American Gothic & the dark art of the American dream
Trans Europe Express
In the flat field, suburbs & satellite towns : the second coming of goth
Apocalypse now : goth's end days.