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Electronic reproduction. London Available via World Wide Web.

Description based on online resource; title from digital title page (viewed on May 01, 2024).

From Music Boxes to the YouTube Player (2000-2005). The Emergence of Online Listening ; The Invention of the YouTube player

Music, Incidentally (2005-2009). The Musicalization of Videos ; Music Becomes Official ; A DIY Aesthetic

Competing for Fun (2006-2013). From Vaudeville to Oprah ; A Primetime "Underground" ; Popular Culture Redux

From Choice to Stream (2008-2014). The Design of Choice ; A Soft Prescription ; Playlists, Trends and Mixes

The Streamlining of Expression (2014-2018). The Televisionization of YouTube ; Creativity as Watchword ; Learning to Self-Manage

The Hit Machine Narrative (2012-2018). When Reaction Precedes Listening ; About Vibes and Soars ; The Prototypical Story of a Song's Success

Mathematizing Authorship (2007-2018). The Origins of (Semi-) Automatic Copyright Control ; Selling Consensus ; An Industry of Variants

Experience as Traffic (2016-2018). The View as General Equivalent ; A Contested Standard ; Purifying experience ; Traffic As Value.

Music videos > Social aspects.

Music and technology > History > 21st century.

Copyright > Music.