Skip to main content

Ed Bland papers

 Collection
Call Number: JWJ MSS 310

Scope and Contents

The collection includes manuscript music, notes and writings, correspondence, professional papers, printed material, photographs, and audiovisual and computer media documenting the career of African American composer and musician Ed Bland. Included are scores and parts for "Piece for Chamber Orchestra" and works he composed or arranged for jazz and funk musicians Dizzy Gillespie, Lionel Hampton, and the Pazant Brothers, filmmaker Madeline Tourtelot, and the PBS American Playhouse presentation of A Raisin in the Sun, as well as a few pieces on which he collaborated with his wife, author Mary Batten. The collection contains papers related to Bland’s 1959 film The Cry of Jazz and an unproduced sequel, “The American Hero,” his work producing “Jazz in the Garden” for the Museum of Modern Art in New York, and his position as commissioner of the White House Record Library. Also present are extensive notes and essays by Bland on music theory, African American culture, racism, and social justice. Among the correspondents are Black musicians and composers Noel Da Costa, Bunky Green, Major Holley, Ulysses Kay, and Coleridge-Taylor Perkinson, Bland’s mentor Henry Sopkin, record executives Neil Bogart and Nesuhi Ertegun, musician and author Sam Charters, conductor JoAnn Falletta, and jazz educator and disc jockey Herb Wong.

Dates

  • 1914-2019

Creator

Conditions Governing Access

This collection is open for research.

Boxes 22-27 (audiovisual material): Restricted fragile material. Reference copies may be requested. Consult Access Services for further information.

Box 28 (computer media): Restricted fragile material. Access copies of digital files may be requested. Consult Access Services for further information.

Conditions Governing Use

The Ed Bland Papers is the physical property of the Beinecke Rare Book and Manuscript Library, Yale University. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.

Immediate Source of Acquisition

Purchased from Mary Batten Bland on the Edwin J. Beinecke Book Fund, 2018, and gift of Mary Batten Bland, 2018, 2021.

Arrangement

Organized into four series: I. Music by Ed Bland, circa 1940-2001. II. Correspondence and Papers, 1949-2011. III. Music by Others, 1914-1966. IV. Audiovisual and Computer Media, 1951-2019, undated.

Extent

32.23 Linear Feet ((28 boxes) + 1 record album storage)

Language of Materials

English

Catalog Record

A record for this collection is available in Orbis, the Yale University Library catalog

Persistent URL

https://hdl.handle.net/10079/fa/beinecke.bland

Abstract

The collection includes manuscript music, notes and writings, correspondence, professional papers, printed material, and audiovisual and computer media documenting the career of African American composer and musician Ed Bland.

Ed Bland (1926-2013)

Ed Bland, also known as Edward Bland and Edward O. Bland, was an African American musician, arranger, and composer of contemporary classical music. Bland combined his background in jazz with formal training in European classical music to create works ranging from concert music for chamber orchestra, arrangements for commercial record releases, and television and film scores. As a one-time filmmaker, he wrote, directed, and produced the independent documentary The Cry of Jazz (1959), which explored the role of jazz music in African American history. The Library of Congress added the film to the National Film Registry in 2010.

Bland was born on July 25, 1926 in Chicago to Edward and Althea Bland; his father was a self-taught literary critic whose friends included Langston Hughes and Ralph Ellison. He began his career as a jazz musician playing saxophone and clarinet and studied privately under composer John J. Becker before attending the University of Chicago and the American Conservatory of Music. Bland worked as a freelance music producer from 1961 to 1994, composing, directing, and arranging music for commercial record companies and television networks. He composed and arranged pieces for Maya Angelou, Dizzy Gillespie, Lionel Hampton, and George Benson, as well as the PBS American Playhouse presentation of A Raisin in the Sun (1989). Bland also continued to work in film as musical director for Bill Gunn’s Ganja & Hess (1973) and orchestrator for A Soldier’s Story (1984).

Bland released five albums of concert work, including a compilation of ensemble, bassoon, clarinet, flute, and violin pieces on Urban Classical: The Music of Ed Bland (1994) and Dancing Through the Walls (1998), a dance suite for flute and virtual percussion. His chamber compositions, such as "Piece for Chamber Orchestra" (1979), were performed by the Baltimore, Detroit, Memphis, and St. Louis Symphony orchestras, the Civic Orchestra of Chicago, and the Brooklyn Philharmonic. From 1968 to 1975, he produced over 100 concerts for the Museum of Modern Art in New York. Bland's work was posthumously reinterpreted by pianist Judith Olson on Urban Counterpoint: The Piano Music of Ed Bland (2020).

Bland served as a presidential commissioner for the White House Record Library from 1979 to 1981 under President Jimmy Carter. He was also a member of the National Endowment for the Arts Recording Panel from 1988 to 1989.

Bland was married twice, first to Arlene Wirsing, with whom he had two children, sons Edward, who is deceased, and Robert; his second marriage was to writer Mary Batten, with whom he had a daughter, Stefanie. He died on March 14, 2013 in Smithfield, Virginia.

Processing Information

Collections are processed to a variety of levels, depending on the work necessary to make them usable, their perceived research value, the availability of staff, competing priorities, and whether or not further accruals are expected. The library attempts to provide a basic level of preservation and access for all collections, and does more extensive processing of higher priority collections as time and resources permit.

This collection received a basic level of processing, including rehousing and minimal organization.

Information included in the Description of Papers note and Collection Contents section is drawn from information supplied with the collection and from an initial survey of the contents. Folder titles appearing in the contents list below are often based on those provided by the creator or previous custodian. Otherwise, folder titles are supplied by staff during initial processing. Information in brackets is also supplied by staff.

This finding aid may be updated periodically to account for new acquisitions to the collection and/or revisions in arrangement and description.

Title
Guide to the Ed Bland Papers
Status
Completed
Author
by Brooke McManus
Date
October 2022
Description rules
Describing Archives: A Content Standard
Language of description note
Finding aid written in English.

Part of the Beinecke Rare Book and Manuscript Library Repository

Contact:
P. O. Box 208330
New Haven CT 06520-8330 US
(203) 432-2977

Location

121 Wall Street
New Haven, CT 06511

Opening Hours

Access Information

The Beinecke Library is open to all Yale University students and faculty, and visiting researchers whose work requires use of its special collections. You will need to bring appropriate photo ID the first time you register. Beinecke is a non-circulating, closed stack library. Paging is done by library staff during business hours. You can request collection material online at least two business days in advance of your visit, using the request links in Archives at Yale. For more information, please see Planning Your Research Visit and consult the Reading Room Policies prior to visiting the library.