Librarian View
LEADER
03299cam a22005295i 4500
001
12905446
005
20200728080344.0
006
m o d
007
cr nn 008mamaa
008
160831s2016 gw | o |||| 0|eng d
020
|a
9783319319278
024
7
|a
10.1007/978-3-319-31927-8
|2
doi
035
|a
(DE-He213)978-3-319-31927-8
035
|a
12905446
050
4
|a
PN2100-PN2193
072
7
|a
AN
|2
bicssc
072
7
|a
HBT
|2
bicssc
072
7
|a
PER011020
|2
bisacsh
082
0
4
|a
792.09
|2
23
100
1
|a
Clericuzio, Alessandro.
245
1
0
|a
Tennessee Williams and Italy
|h
[electronic resource] :
|b
A Transcultural Perspective /
|c
by Alessandro Clericuzio.
264
1
|a
Cham :
|b
Springer International Publishing :
|b
Imprint: Palgrave Macmillan,
|c
2016.
300
|a
XV, 225 p. 6 illus :
|b
online resource.
336
|a
text
|b
txt
|2
rdacontent
337
|a
computer
|b
c
|2
rdamedia
338
|a
online resource
|b
cr
|2
rdacarrier
347
|a
text file
|b
PDF
|2
rda
505
0
|a
Foreword;John S. Bak -- Acknowledgments -- A Note on Sources -- Introduction -- Chapter One. Tennessee Williams' Italian Reputation -- Chapter Two. Luchino Visconti and Tennessee Williams -- Chapter Three. More Streetcars -- Chapter Four. The Rose and the Stone -- Chapter Five. The Golden Years -- Chapter Six. Decline and Comeback -- Appendix. List of Main Italian Productions -- Works Cited -- Index.
506
|a
Access restricted by licensing agreement.
520
|a
This book reveals for the first time the import of a huge network of connections between Tennessee Williams and his beloved land of election, Italy. America's most thought-provoking playwright loved Italy more than any other country outside the U.S. and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.
590
|a
Access is available to the Yale community.
650
0
|a
Culture
|x
Study and teaching.
650
0
|a
Theater
|x
History.
650
0
|a
Literature, Modern
|y
20th century.
651
0
|a
America
|v
Literatures.
710
2
|a
SpringerLink (Online service)
730
0
|a
Springer ebooks.
773
0
|t
Springer eBooks
776
0
8
|i
Printed edition:
|z
9783319319261
852
8
0
|z
Online Resource
856
4
0
|y
Online book
|u
https://yale.idm.oclc.org/login?URL=http://dx.doi.org/10.1007/978-3-319-31927-8
901
|a
PN2100-PN2193
902
|a
Yale Internet Resource
|b
Yale Internet Resource >> None|DELIM|12996075
905
|a
online resource
907
|a
2016-09-01T12:08:12.000Z
946
|a
DO NOT EDIT. DO NOT EXPORT.
953
4
0
|a
http://dx.doi.org/10.1007/978-3-319-31927-8