Librarian View
LEADER
03100cam a2200445 4500
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16747067
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20231116230150.0
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230428s mx 000 0 spa d
035
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0000012828
035
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16747067
040
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HKB
|b
eng
|c
HKB
|e
rda
043
|a
n-mx---
090
|a
TR654
|b
C366 2021
100
1
|a
Cano Miranda, Diana,
|e
author,
|e
photographer.
245
1
0
|a
Borré las paredes de las pintas /
|c
Diana Cano Miranda.
250
|a
Primera edición.
264
1
|a
Ciudad de México :
|b
[publisher not identified] :
|b
The author,
|c
2021.
300
|a
42 unnumbered pages :
|b
chiefly illustrations ;
|c
15 x 20 cm +
|e
1 staple bound booklet (4 unnumbered pages, 9 x 15 cm) and 5 stickers.
336
|a
text
|b
txt
|2
rdacontent
336
|a
still
|b
sti
|2
rdacontent
337
|a
unmediated
|b
n
|2
rdamedia
338
|a
volume
|b
nc
|2
rdacarrier
500
|a
Title from page [36]
500
|a
100 copies, numbered and signed by the author.
500
|a
"Proyecto autogestivo".
500
|a
"Obra certificada. Galeria Mal de Ojo" --Sticker in protective bag.
505
8
|a
Presentation / Verónica Gerber Bicecci.
520
8
|a
During the feminist protests that took place in Mexico City throughout 2019, the city and state government, as well as institutions like UNAM (National Autonomous University of Mexico) took down and erased graffiti done by women that denounced pervasive gender-based violence. In erasing their words, the government claimed that they were protecting property: statues, monuments, and buildings, and in this way, they prioritized protecting objects over listening to the outrage of thousands of women. This exercise is based on the inversion of what one wishes to keep and what remains. Borré las paredes de las pintas (I erased the walls from the graffitis) reveals a larger truth; one that is told in the decision to remove, to take down: erasure is political. "In this book a series of photographs have been transformed into writing; in each shot the walls, doors, metal curtains, columns and monuments have disappeared. The original images, before being intervened, were a record of feminist graffiti in different public spaces of the City and the State of Mexico. Removing the buildings is, in principle, a gesture inversely proportional to that of the authorities who, the day after a march (or a few hours later) urgently go out to erase everything, arguing the defense of heritage.".
546
|a
In Spanish.
650
0
|a
Photography, Artistic.
|0
http://id.loc.gov/authorities/subjects/sh85101269
650
0
|a
Graffiti
|z
Mexico
|y
21st century
|v
Pictorial works.
650
0
|a
Letters in art.
|0
http://id.loc.gov/authorities/subjects/sh85076242
650
0
|a
Photobooks
|z
Mexico
|y
21st century
|v
Specimens.
700
1
2
|i
Container of (expression):
|a
Cano Miranda, Diana.
|t
Photographs.
|k
Selections.
901
|a
TR654
902
|a
Haas Arts Library
|b
HAAS ARTS LIBRARY, Art & Arch Collection >> TR654 C366 2021 (LC)|DELIM|16641359
907
|a
2023-10-11T12:27:02.000Z
980
|b
69.00
|f
80841
|h
art
987
|c
On Order
999
|a
117983