Librarian View

LEADER 03156nam a2200469 i 4500
001 16867350
005 20231115140853.0
006 m o d
007 cr||||||||||||
008 230323s2024||||enk o ||1 0|eng|d
020
  
  
|a 9781009425032 (ebook)
020
  
  
|z 9781009425025 (hardback)
020
  
  
|z 9781009425018 (paperback)
035
  
  
|a (UkCbUP)CR9781009425032
040
  
  
|a UkCbUP |b eng |e rda |c UkCbUP
050
1
0
|a ML290.2 |b .R48 2024
100
1
  
|a Reuland, Jamie L., |d 1984- |e author.
245
1
0
|a Music and the making of medieval Venice / |c Jamie L. Reuland.
264
  
1
|a Cambridge, United Kingdom ; New York : |b Cambridge University Press, |c 2024.
300
  
  
|a 1 online resource (xx, 280 pages) : |b digital, PDF file(s).
336
  
  
|a text |b txt |2 rdacontent
337
  
  
|a computer |b c |2 rdamedia
338
  
  
|a online resource |b cr |2 rdacarrier
490
1
  
|a Music in context
500
  
  
|a Title from publisher's bibliographic system (viewed on 13 Oct 2023).
505
0
  
|a Part I. An Audible Empire. Echoes of Empire : The Laudes in Medieval Venetian Crete ; Unsilenced Archives : Icons, Advocates, and the Akathistos Hymn -- Part II. The Fictive City. Singing Effigies : An Annunciation Drama for the Festa delle Marie -- Part III. Relics and the Horizons of Musical Representation. Narrative Fragments : Vespers for the Apparition of Saint Mark's Relics ; History Lessons : Matins for the Apparition of Saint Mark's Relics ; Sound Documents : The Midcentury Chancery Motet -- Epilogue.
506
  
  
|a Access restricted by licensing agreement.
520
  
  
|a Music played an essential part in raising the city of Venice and in founding the empire on which its fortunes would depend. This book focuses on a set of musical projects - played out in liturgy and civic ritual - that formed the city's history and framed and interpreted its unique material culture as it was in the process of taking shape. Jamie L. Reuland shows the state's most imaginative musical endeavors bound up with legal culture, stemming from the chancery's engines of historiography, or situated within the rich material environment of relics and reliquaries, mosaics and wall paintings, icons and statues. Arguing for music's technical ability to fabricate a sense of place and give form to history, Reuland recovers Venice's fascinating early propensity for a statecraft of the imagination, the consequences of which would be the better-known history of its material decay.
590
  
  
|a Access is available to the Yale community.
651
  
0
|a Venice (Italy) |x History |y 697-1508.
730
0
  
|a Cambridge core frontlist 2023.
776
0
8
|i Print version: |z 9781009425025
830
  
0
|a Music in context.
852
8
0
|b yulintx |h None |z Online resource
852
8
0
|z Online resource
856
4
0
|y Online book |u https://yale.idm.oclc.org/login?URL=https://doi.org/10.1017/9781009425032
901
  
  
|a ML290.2
902
  
  
|a Yale Internet Resource |b Yale Internet Resource >> None|DELIM|16754185
905
  
  
|a online resource
907
  
  
|a 2023-11-15T14:08:53.000Z
946
  
  
|a DO NOT EDIT. DO NOT EXPORT.
953
  
  
|a https://doi.org/10.1017/9781009425032