LEADER 08130cam a2200817 i 4500001 17162030 005 20240515230241.0 006 m o d 007 cr cn |||m|||a 008 240501s2024 enka fob 000 0 eng d 020 9780750352123 |qebook 020 9780750352116 |qmobi 020 |z9780750352109 |qprint 020 |z9780750352130 |qmyPrint 024 7 10.1088/978-0-7503-5212-3 |2doi 035 (CaBNVSL)thg00083931 035 (IOP)9780750352123 035 17162030 040 CaBNVSL |beng |erda |cCaBNVSL |dCaBNVSL 050 4 QC225.15 |b.Z357 2024eb vol. 1 100 1 Zain, Samya, |eauthor. |0http://id.loc.gov/authorities/names/no2020144106 245 14 The physics of sound and music. |nVolume 1, |pTextbook : |ba complete course text / |cSamya Bano Zain. 264 1 Bristol [England] (Temple Circus, Temple Way, Bristol BS1 6HG, UK) : |bIOP Publishing, |c[2024] 300 1 online resource : |billustrations (some color). 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 490 1 [IOP release $release] 490 1 IOP ebooks. [2024 collection] 500 "Version: 20240401"--Title page verso. 504 Includes bibliographical references. 505 0 part I. Introduction. 1. Introduction -- 1.1. The scientific method -- 1.2. Units -- 1.3. The International System of Units (SI units) -- 1.4. A few important concepts -- 1.5. A quick review of vector and scalar quantities -- 1.6. Distance versus displacement -- 1.7. Speed versus velocity -- 1.8. Graphical representation of motion 505 8 2. Sound, music, and noise -- 2.1. What makes a sound either music or noise? -- 2.2. Some history of the science of sound -- 2.3. How does it all work? -- 2.4. The properties of traveling waves -- 2.5. What is sound? 505 8 3. Music, history, and culture -- 3.1. Music and life -- 3.2. Historic eras of music -- 3.3. Music and religion -- 3.4. Classes of musical instruments 505 8 part II. Sound production. 4. Tension and deformations in a string -- 4.1. Energy and force -- 4.2. Historic ideas about motion -- 4.3. Newton's laws of dynamics -- 4.4. Categories of forces -- 4.5. Mass versus weight -- 4.6. Tension 505 8 5. Vibrating systems -- 5.1. Simple harmonic motion -- 5.2. Standing waves -- 5.3. The reflection of waves -- 5.4. Waves in stringed instruments -- 5.5. Wave interaction : superposition and interference 505 8 6. Damping and resonance in musical instruments -- 6.1. Damping in oscillators -- 6.2. Resonance -- 6.3. Ways to drive a string at one of its resonances -- 6.4. Understanding resonance -- 6.5. Sympathetic vibrations -- 6.6. Resonances in musical instruments 505 8 part III. Sound propagation. 7. Sound propagation -- 7.1. Traveling waves -- 7.2. Periodic waves -- 7.3. The speed of sound waves -- 7.4. Sound absorption 505 8 8. Factors that impact sound propagation -- 8.1. Huygen's principle -- 8.2. The refraction of waves -- 8.3. Diffraction -- 8.4. The Doppler effect 505 8 part IV. Sound reception. 9. Sound power and sound intensity -- 9.1. Power and pressure -- 9.2. Sound waves -- 9.3. The intensity of sound waves (I) -- 9.4. Decibels -- 9.5. The speed of sound versus particle velocity -- 9.6. Sound power (W) -- 9.7. Sound pressure level (dB SPL) -- 9.8. Summary -- 9.9. The sound power level (dB SWL) -- 9.10. Loudness and loudness level 505 8 10. The human factor -- 10.1. The ranges of human hearing and sight -- 10.2. Speech production in humans -- 10.3. Auditory systems -- 10.4. Critical bands -- 10.5. Bone conduction 505 8 11. Psychoacoustics -- 11.1. Hearing in humans -- 11.2. The effect of noise on humans -- 11.3. Noise control 505 8 12. The acoustics of rooms -- 12.1. Sound propagation -- 12.2. The precedence effect -- 12.3. Room acoustics -- 12.4. Problems in acoustical design -- 12.5. The criteria for good acoustics -- 12.6. Designing spaces -- 12.7. Loudspeakers -- 12.8. Outdoor sound systems 505 8 part V. Of sound and music. 13. Musical tones, pitch, timbre, and vibrato -- 13.1. Musical tones and pitch -- 13.2. Pitch perception theories -- 13.3. Vibrato -- 13.4. The just-noticeable difference (JND) -- 13.5. Timbre or tone quality 505 8 14. A musician's graph paper and musical scales -- 14.1. Logarithms -- 14.2. The musical stave or staff -- 14.3. Musical scales -- 14.4. Musical intervals -- 14.5. Various terms that are important to know 505 8 part VI. Musical instruments. 15. Stringed instruments -- 15.1. The history of stringed instruments -- 15.2. The introduction of energy into a string instrument -- 15.3. Tuning -- 15.4. The guitar -- 15.5. The piano -- 15.6. Bowed stringed instruments 505 8 16. Percussion instruments -- 16.1. Rhythms in everyday life -- 16.2. Various percussion instruments -- 16.3. Vibrations in a bar -- 16.4. Vibrations in plates and membranes -- 16.5. Membranophones -- 16.6. Bells 505 8 17. Wind instruments -- 17.1. Wind instruments -- 17.2. The instruments of the woodwind family -- 17.3. The pipe organ -- 17.4. The instruments of the brass family -- 17.5. The bagpipe 505 8 part VII. Appendix. Appendix A. Review of mathematics -- Appendix B. Unit conversions -- Appendix C. Logarithms. 506 Access restricted by licensing agreement. 520 3 This first volume of The Physics of Sound and Music: A complete course text is a textbook providing a complete resource to accompany undergraduate courses on the physics of sound and music, and is supplemented by the lab manual in volume two of this two-volume set. This textbook is written in an accessible, clear and conversational style with the intent of engaging students and teaching physics without appearing overwhelming. The book starts with an introduction to sound and music, then discusses various aspects of sound, from how it is produced to how it propagates and how we hear it. The remainder of the book focuses on the various aspects of music, from musical tones to musical instruments, and concludes with a discussion of how sound can be recorded for replay. Problems and solutions are provided in each chapter. 521 This is a core text for one-semester, undergraduate (100-level) courses on the physics of sound or music. It will be particularly useful for courses aimed at non-physics majors with little experience of algebra or calculus. 530 Also available in print. 545 Samya Zain is a Professor of Physics at Susquehanna University, USA, where she was awarded the Distinguished Teaching Award in 2016. She has been a member of the BaBar scientific research collaboration at SLAC (Stanford Linear Accelerator Center) at Stanford University, California, and the ATLAS collaboration at CERN, Geneva. Her previous books Techniques of Classical Mechanics: From Lagrangian to Newtonian Mechanics and Thermodynamics and Statistical Mechanics: An Introduction for Physicists and Engineers were published by IOP Publishing in 2019 and 2021, respectively. 588 0 Title from PDF title page (viewed on May 1, 2024). 590 Access is available to the Yale community. 650 0 Sound |vTextbooks. 650 0 Music |xAcoustics and physics |vTextbooks. 710 2 Institute of Physics (Great Britain), |epublisher. |0http://id.loc.gov/authorities/names/n80085293 730 0 IOP ebooks. 776 08 |iPrint version: |z9780750352109 |z9780750352130 830 0 IOP (Series). |pRelease 24. 830 0 IOP ebooks. |p2024 collection. 852 80 |zOnline resource 856 40 |yOnline book |uhttps://yale.idm.oclc.org/login?URL=https://iopscience.iop.org/book/mono/978-0-7503-5212-3 901 QC225.15 902 Yale Internet Resource |bYale Internet Resource >> None|DELIM|17038640 905 online resource 907 2024-05-15T14:58:52.000Z 946 DO NOT EDIT. 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