Title
The art of entertainment : popular performance in modern British art, 1880 to 1940 / Jason Price.
ISBN
1003467520
1040020690
1040020712
9781003467526
9781040020692
9781040020715
1032740736
1032740744
9781032740737
9781032740744
Publication
Abingdon, Oxon ; New York, NY : Routledge, 2024.
Copyright Notice Date
©2024
Physical Description
1 online resource (xi, 151 pages) : illustrations (chiefly color).
Local Notes
Access is available to the Yale community.
Notes
Description based on online resource; title from digital title page (viewed on April 26, 2024).
Access and use
Access restricted by licensing agreement.
Summary
"In this book, theatre historian Jason Price looks at the relationships and exchanges that took place between high and low cultural forms in Britain from 1880 to 1940, focusing on the ways in which figures from popular entertainments, such as music hall serio-comics, clowns, and circus acrobats, came to feature in modern works of art. Readers with an interest in art, theatre and the history of modern Britain will find Price's approach, which sees major works of art used to illuminate the histories of once-famous entertainers and the wider social, political, and cultural landscape of this period, accessible and engaging. The book will bring to life for readers some of the most vivid works of modern British art and reveal how individuals historically overlooked due to their gender, sexuality, or race played a significant role in the shaping of British culture during this period of monumental social change"-- Provided by publisher.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Other formats
Print version: Price, Jason Art of entertainment Abingdon, Oxon ; New York, NY : Routledge, 2024
Added to Catalog
August 07, 2024
Series
Routledge advances in theatre & performance studies
Bibliography
Includes bibliographical references and index.
Contents
Introduction: Vulgar refinement
Setting the stage: modernism and the popular
Manipulating the public gaze: Minnie Cunningham the entertainer, artist's muse, and Victorian new woman
Modern daredevil: Thérèse Lessore's paintings of Swallow's Circus at the Royal Agricultural Hall
On matters of display and consent: the human exhibit and Goscombe John's Bokane
(Un)popular queer figures: Glyn Philpot's knowing acrobats historical illusionisms and acts of recovery.