The art and occupation of stage design in Finnish theatres : the rise and fall of a professional community / Laura Gr̲ndahl.

First edition.

Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2025.

1 online resource (280 pages) : illustrations.

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Laura Gröndahl is a University Lecturer at Tutke (Performing Arts Research Centre), Theatre Academy and a Vice Dean for research at the Theatre Academy of the University of Arts, Helsinki.

This study explores the formation, establishment, expansion, and disintegration of stage design as a modern profession and a recognized artform in Finnish theatres. Drawing on oral or written recollections and thoughts of stage designers from different decades, the author asks how their artistic agencies, occupational identities, and theoretical self-understanding have been constituted. She analyses Finnish theatre history from new perspectives by shifting the focus from finished performances to largely unknown practices behind the scenes. This book examines the cultural institutions that have constituted the stage designers' role and position, like the professional city theatre system, the craft union, and education. This research shows how modern and postmodern scenographic innovations have been assimilated to local contexts, and how material and cultural circumstances have reshaped the artistic practices. Without bypassing canonical trendsetters or hegemonic cultural mindsets, the focus is directed on the everyday grassroot level of stage design practices. Personal interviews with over 20 designers make visible an ample repertoire of unwritten knowledge stored in habitual ways of working and dealing creatively with the complex system of theatre making. This book will be of great interest to students and scholars in theatre and performance studies with a focus on scenography.

Taylor & Francis. EBA 2024-2025.

Books / Online

English

August 19, 2024

Includes bibliographical references.

Acknowledgements1: Introduction2: Looking forearly set paintersin Finland3: The institutional theatre system as occupational environment4: The changing professional community of Finnish stage designers5: Constituting artistic expertise6: The function of stage design in the creative process of theatre making7: Stretching the boundaries of stage design8: Reformulating design practices9: Stage designers on their art and practices in the 2020s10: Towards future scenographic design: summary and conclusionsIndex