Title
Beat film, Beat writers / David Stephen Calonne.
ISBN
1032689242
1040183328
1040183395
9781032689241
9781040183328
9781040183397
9781032689173
9781032689210
Publication
New York : Routledge, Taylor & Francis Group, 2025.
Copyright Notice Date
©2025
Physical Description
1 online resource (viii, 218 pages) : illustrations.
Local Notes
Access is available to the Yale community.
Notes
Description based on online resource; title from digital title page (viewed on October 29, 2024).
Access and use
Access restricted by licensing agreement.
Biographical / Historical Note
David Stephen Calonne is the author of several books including William Saroyan: My Real Work Is Being; The Spiritual Imagination of the Beats; Diane di Prima: Visionary Poetics and the Hidden Religions; R. Crumb: Literature, Autobiography, and the Quest for Self; Jazz, Counterculture, and the Sacred; and biographies of Charles Bukowski and Henry Miller. He has also edited five volumes of uncollected prose by Bukowski for City Lights. Calonne has lectured internationally and taught at the University of Texas at Austin, the University of Michigan, and the University of Chicago. He presently teaches at Eastern Michigan University.
Summary
"Beat Film, Beat Writers is the first monograph to analyze the films of Christopher Maclaine, Lawrence Jordan, ruth weiss, Ron Rice, Robert Frank, Barbara Rubin, Shirley Clarke, William S. Burroughs, and Joanne Kyger. The book is noteworthy for its emphasis on women filmmakers who have traditionally been excluded from close analysis by film scholars. Beat Film, Beat Writers also explores the ways Beat authors such as Philip Lamantia, Michael McClure, Diane di Prima, Wiliam S. Burroughs, Allen Ginsberg, Jack Kerouac, Peter Orlovsky, Gregory Corso, Joanne Kyger and others became deeply involved with the film communities of New York and California. The book discusses their roles as both actors and participants in the making of these films and demonstrates how many of the same themes that characterized Beat literature surface in cinema. The anxiety over the possibilities of nuclear war, the search for deeper modes of spirituality in the study of Buddhism as well as occult and exoteric systems, the struggle for equality for the LGBTQ+ community, the beginnings of the ecological movement, and the fight against censorship and the open depiction of sexuality are all themes which occur both in Beat film and Beat literature. Beat Film, Beat Writers also features an Epilogue on the cinema of singer and poet Jim Porrison, who although not part of the Beat movement, was deeply influenced by Beat literature and carried on many of the aesthetic and philosophical aims of the Beats into the late sixties"-- Provided by publisher.
Variant and related titles
Taylor & Francis. EBA 2024-2025.
Other formats
Print version: Calonne, David Stephen, 1953- Beat film, Beat writers New York, NY : Routledge, 2025
Added to Catalog
October 30, 2024
Series
Routledge interdisciplinary perspectives on literature
Bibliography
Includes bibliographical references and index.
Contents
Christopher Maclaine: the San Francisco scene
Lawrence Jordan: Beat California
ruth weiss and The brink
Ron Rice: songs of innocence and experience
Robert Frank: daisies and brothers
Barbara Rubin: I know that we can live loving together, seeing, feeling, touching to the highest spheres
Shirley Clarke: rebel with a cause
William S. Burroughs: the bankruptcy of the reality studio
Joanne Kyger, Descartes and the splendor of
Epilogue after Beat film: Jim Morrison.