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Italian Americans in Film and Other Media The Immigrant Experience from Silent Films to the Internet Age

Title
Italian Americans in Film and Other Media [electronic resource] : The Immigrant Experience from Silent Films to the Internet Age / edited by Daniele Fioretti, Fulvio Orsitto.
ISBN
9783031472114
Edition
1st ed. 2024.
Publication
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2024.
Physical Description
1 online resource (XV, 353 p.)
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Summary
Italian Americans in Film and Other Media examines the representation of the Italian immigrant experience from D.W. Griffith's Biograph Italian Dramas (1908-1913) to the present day. Building on the editors' previous volume Italian Americans in Film, this collection broadens their scope to address marginalized aspects of Italian Americanness, including the work of women directors and depictions of same-sex relationships. The book consists of three parts. Part I, "The Immigrant Experience", focuses on feature films and is divided into two sections: "Silent Films" (which analyses some of Griffith's early films and Barker's The Italian, 1915), and "Revising Gender Perspectives", which includes chapters focusing on single films - such as Dmytryk's Christ in Concrete (1949), De Michiel's Tarantella (1995), and Bonifacio's Amexicano (2007) - and survey essays that discuss the Italian American 'celluloid closet' and some of Savoca's films. Part II, "Italian Americans in Other Media", offers a wide range of essays informed by different approaches that investigate the immigrant experience in terms of transmediality and transnationality. The types of media examined in this section include television and graphic novels as well as puppetry, Instagram, and Internet memes. Part III contains interviews with Italian American scholars, movie directors, and performers. Together, the contributions to this collection demonstrate the vitality, mutation, and persistence of Italian Americanness in visual media. Daniele Fioretti is Associate Teaching Professor of Italian at Miami University, USA. He is the author of Utopia and Dystopia in Postwar Italian Literature (2017) and Carte di fabbrica. La narrativa industriale in Italia 1934-1989 (2013). He co-edited the book Italian Americans in Film: Establishing and Challenging Italian American Identities (2022). Fulvio Orsitto is Director of the Georgetown University campus in Fiesole, Italy. He has published more than thirty essays and book chapters on Italian and Italian American literature and cinema, and has edited and co-edited ten volumes, including Pasolini: American Perspectives (2015), TOTalitarian ARTs: The Visual Arts, Fascism(s) and Mass-society (2017), and Italian Americans in Film: Establishing and Challenging Italian American Identities (2022).
Variant and related titles
Springer ENIN.
Other formats
Printed edition:
Printed edition:
Printed edition:
Format
Books / Online
Language
English
Added to Catalog
April 10, 2024
Series
Italian and Italian American Studies,
Italian and Italian American Studies,
Contents
Chapter 1/Introduction Daniele Fioretti and Fulvio Orsitto
PART I -THE IMMIGRANT EXPERIENCE :Silent Films
Chapter 2 Races to the Rescue in an Ethnic Urban Milieu: D.W. Griffith and the Biograph Italian Dramas Irene Lottini
Chapter 3The Italian (1915) and the Representation of Italian Immigrants in Silent American Cinema Bernard Kuhn Revising Gender and Ethnic Perspectives
Chapter 4: Italianness and Foundational Masculinity in Edward Dmytryk's Rendition of Pietro Di Donato's Christ in Concrete Gloria Pastorino
Chapter 5 A Sting from the Past: Femininity and Ethnic Roots in Helen De Michiel's Tarantella (1995) Daniele Fioretti
Chapter 6: The Celluloid Closet: Sex, Power, and Coming Out Repression of the Italian American Closet in Nunzio's Second Cousin (1994), Kiss Me, Guido (1997), and Mambo Italiano (2003) Ryan Calabretta-Sajder
Chapter 7From True Love (1989) to Union Square (2011): Recovering the Exploded Family in Nancy Savoca's Films Gloria Pastorino
Chapter 8: A Realistic Tale of Improbable Friendship. Notes on Matthew Bonifacio's Amexicano (2007) Claudia Peralta and Fulvio Orsitto
PART II - ITALIAN AMERICANS IN OTHER MEDIA
Chapter 9: Italian American Gangsters Taking on a New Line of Work in Luc Besson's The Family (2013) Rosetta Caponetto Giuliani
Chapter 10: The Transnational Puppet: From Italy and Back Federico Pacchioni
Chapter 11: Comfortable and Uncomfortable Fictions: Italian Americans in the First Decades of Television Fulvio Orsitto
Chapter 12: Looking Back, Moving Forward: Italian Americans on Television from the 1970s to the1990s Fulvio Orsitto
Chapter 13: Italian Americans on Television in the New Millennium: From Small to Smaller Screen(s) Fulvio Orsitto
Chapter 14: The Goddess and the Huntress: Diana and DC'sHelena Bertinelli Felice Italo Beneduce
Chapter 15: CNN's Searching for Italy: Stanley Tucci as Foodways Icon Alan J. Gravano
Chapter 16: Chef/Cook, Influencer, Mixologist, Travel Host: Stanley Tucci as Everyman Alan J. Gravano
Chapter 17: An Unlimited Memeiosis of The Godfather: Diachronic and Synchronic Observations of a Pervasive and Ubiquitous Meme Anthony Dion Mitzel
PART III - INTERVIEWS
Chapter 18: Interview with Helen De Michiel Daniele Fioretti
Chapter 19: Interview with Tony Vitale Daniele Fioretti
Chapter 20: Interview with Michela Musolino Daniele Fioretti
Chapter 21: Interview with Anthony Julian Tamburri Ryan Calabretta-Sajder.
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