Introduction. Music and Myth from Orpheus to Tubal
Songs in the Key of Spain : Vihuela and the Ideology of Musical Humanism
Cervantes Off-Key : Irony and Imperialism in the Novelas ejemplares
Pre-Columbian Providentialism : Musical Origins in Andean Imagination
The King's Polyphony and the Composing of the Americas
Four-Part Harmony for the Four-Part Empire : Calderón's Musical Metaphors at the Court of Philip IV
Immaculate Composition: Religion, Race, and Propaganda
Conclusion. Orpheus Looking Back.