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1964, a year in African American performance history

Title
1964, a year in African American performance history / David Krasner.
ISBN
9781032670454
1032670452
9781032670621
1032670622
9781032670584
Publication
Abingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2025.
Copyright Notice Date
©2025
Physical Description
ix, 256 pages : illustrations ; 25 cm.
Summary
"This book examines the Civil Rights Movement from the perspective of a single year, 1964. The book analyses specific events that occurred in 1964 as benchmarks of the Civil Right Movement making the case that 1964 was a watershed year. Each chapter considers individually politics, rhetoric, sports, dramatic literature, film, art, and music, breaking down the events and illustrating their importance to the social and political life in the United States in 1964. This study emphasizes 1964 as a nodal point in the history of the Civil Rights Movement, arguing that it was within this single year that the tide against racism and injustice turned markedly. This book will be of great interest to the scholars and students of civil rights, theatre & performance, art history and drama literature"-- Provided by publisher.
Other formats
Online version: Krasner, David, 1952- 1964, a year in African American performance history Abingdon, Oxon ; New York, NY : Routledge, 2024
Format
Books
Language
English
Added to Catalog
September 23, 2024
Series
Routledge advances in theatre and performance studies.
Routledge advances in theatre & performance studies
Bibliography
Includes bibliographical references and index.
Contents
Introduction: Why 1964
Words of fire : Malcolm X, Fannie Lou Hamer, Martin Luther King, and the rhetoric of African American performance
Performing manhood : Muhammad Ali and the 1964 heavyweight championship
Expectation, melancholy, and loss : intellectualism in Dutchman & Funnyhouse of a Negro
Neorealism and love : Nothing but a man, One potato, Two potato, and the working class
Romare Bearden, the 1964 photomontage projections, and the art of "making strange"
Dancing in the streets : feminism, jazz, and Motown in African American music
Conclusion: Change is a long time comin'.
Citation

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