Alexander the Great In Renaissance art : north and south of the Alps / Ingrid Alexander-Skipnes.

New York : Routledge, Taylor & Francis Group, 2024.

©2024

1 online resource (xii, 194 pages) : illustrations (some color).

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Description based on online resource; title from digital title page (viewed on April 25, 2024).

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Ingrid Alexander-Skipnes is a Lecturer in Art History at the Kunstgeschichtliches Institut at Albert-Ludwigs-Universitt̃ Freiburg, Germany. She is an Associate Professor Emerita of the University of Stavanger, Norway.

This volume explores the images of Alexander the Great from the fifteenth and sixteenth centuries, how they came about, and why they were so popular. In contrast to the numerous studies on the historical and legendary figure of Alexander, surprisingly few studies have examined, in one volume, the visual representation of the Macedonian king in frescoes, oil paintings, engravings, manuscripts, medals, sculpture, and tapestries during the Renaissance. The book covers a broad geographical area and includes transalpine perspectives. Ingrid Alexander-Skipnes examines the role that humanists played in disseminating the stories about Alexander and explores why Alexander was so popular during the Renaissance. Alexander-Skipnes offers cultural, political, and social perspectives on the Macedonian king and shows how Renaissance artists and patrons viewed Alexander the Great. The book will be of interest to scholars working in art history, Renaissance studies, ancient Greek history, and classics.

Taylor & Francis. EBA 2024-2025.

Print version:

Books / Online

English

October 04, 2024

Includes bibliographical references and index.