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Can art history be made global? : meditations from the periphery

Title
Can art history be made global? : meditations from the periphery / Monica Juneja.
ISBN
9783110716290
3110716291
9783111217062
311121706X
Publication
Berlin : De Gruyter, [2023]
Copyright Notice Date
©2023
Physical Description
352 pages : illustrations (some color), facsimile, portraits ; 24 cm
Biographical / Historical Note
Monica Juneja is Professor of Global Art History at the Heidelberg Centre for Transcultural Studies. Her areas of research span the fields of European and South Asian studies. They include practices of visual representation, the disciplinary trajectories of art history in South Asia, gender and political iconography in modern France, and the interface between Christianisation, religious identities, and cultural practices in early modern South Asia.
Summary
"The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro-America into globally intelligible analyses"-- Provided by publisher.
Other formats
PDF version
Format
Books
Language
English
Added to Catalog
June 13, 2023
Bibliography
Includes bibliographical references (pages 313-339) and index.
Contents
Introduction. Can art history be made global?
Chapter one. The world in a grain of sand : a genealogy of world art studies
Chapter two. Making and seeing images : tracking the routes of vision in early modern Eurasia
Chapter three. Traversing scale(s) : transcultural modernism with and beyond the nation
Chapter four. Beyond backwater arcadias : globalised locality and contemporary art practice
Chapter five. When art embraces the planet : the contemporary exhibition form and the challenge of connected histories
Postcript. The hunter and the squirrel : art history from the global to the planetary.
Genre/Form
Cross-cultural studies.
History.
Citation

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