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LEADER 03955cam a2200553 i 4500
001 16621698
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008 230415t20232023gw acfh b 001 0 eng d
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|a 2023930665
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|a 1259074560 |2 DE-101
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|a 9783110716290 |q (paperback)
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|a 3110716291
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|a 9783111217062 |q (electronic bk.)
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|a 311121706X |q (electronic bk.)
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|a 9783110716290
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|a (OCoLC)on1374047664
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|a (GyWOH)har220183501
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|a 16621698
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|a OHX |b eng |e rda |c OHX |d ZVP |d JPG |d OCLCF
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|a az-----
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|a N380 |b .J86 2023
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|a 1374047664
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|a Juneja, Monica, |e author. |0 http://id.loc.gov/authorities/names/nb98079518
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|a Can art history be made global? : |b meditations from the periphery / |c Monica Juneja.
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|a Berlin : |b De Gruyter, |c [2023]
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|c ©2023
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|a 352 pages : |b illustrations (some color), facsimile, portraits ; |c 24 cm
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|a text |b txt |2 rdacontent
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|a still image |b sti |2 rdacontent
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|a unmediated |b n |2 rdamedia
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|a volume |b nc |2 rdacarrier
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|a Includes bibliographical references (pages 313-339) and index.
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|a Introduction. Can art history be made global? -- Chapter one. The world in a grain of sand : a genealogy of world art studies -- Chapter two. Making and seeing images : tracking the routes of vision in early modern Eurasia -- Chapter three. Traversing scale(s) : transcultural modernism with and beyond the nation -- Chapter four. Beyond backwater arcadias : globalised locality and contemporary art practice -- Chapter five. When art embraces the planet : the contemporary exhibition form and the challenge of connected histories -- Postcript. The hunter and the squirrel : art history from the global to the planetary.
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|a "The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro-America into globally intelligible analyses"-- |c Provided by publisher.
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|a Monica Juneja is Professor of Global Art History at the Heidelberg Centre for Transcultural Studies. Her areas of research span the fields of European and South Asian studies. They include practices of visual representation, the disciplinary trajectories of art history in South Asia, gender and political iconography in modern France, and the interface between Christianisation, religious identities, and cultural practices in early modern South Asia.
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|a Art |x Historiography. |0 http://id.loc.gov/authorities/subjects/sh85007487
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|a Art |z South Asia |x History.
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|a Art |x History |x Methodology.
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|a Art |v Cross-cultural studies.
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|a Art. |2 fast |0 (OCoLC)fst00815177
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|a Art |x Historiography. |2 fast |0 (OCoLC)fst00815259
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|a Art |x Methodology. |2 fast |0 (OCoLC)fst00815299
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|a South Asia. |2 fast |0 (OCoLC)fst01244520
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|a Cross-cultural studies. |2 fast |0 (OCoLC)fst01423769
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|a History. |2 fast |0 (OCoLC)fst01411628
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|z 9783111217062 |i PDF version
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|a N380
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|a Haas Arts Library |b HAAS ARTS LIBRARY, Art & Arch Collection >> N380 .J86 2023 (LC)|DELIM|16525159
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|a 2023-06-13T15:00:52.000Z