Introduction : sonic style in cinema / James Wierzbicki
Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman
Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather
"It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters
Kieslowski's musique concrète / Joseph G. Kickasola
Gus Van Sant's soundwalks and audio-visual musique concrète / Danijela Kulezic-Wilson
Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald
Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee
Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte
The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston
The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro
The attractions of repetition : Tarantino's sonic style / Lisa Coulthard
Dream timbre : notes on Lynchian sound design / Isabella van Elferen.