Learning to be an angel: religion and reading for nineteenth-century American girls
Angels in the house: Christian womanhood and community power in postbellum girls' series
A revolution in series production: Edward Stratemeyer and the commodification of series books
Communities of friends: series heroines as consumers, 1901-1930
two miles forward, one mile back: gender battles
During the Great War
Running the gamut and the gauntlet: World War I
Series as a catalyst for change in the cultural landscape of American girlhood
Taking advantage of new markets: Ruth Fielding as a motion picture screenwriter, producer, and executive
Conclusion: Nancy Drew and a new era
Appendix: Series books in order of publication.