Introduction: classical Hollywood cinema and film studies
The early thirties: modernity, new women, and the aesthetic of attractions
Normative desires and visual sobriety: apogee of the classical model
The male subject of noir and the modern gaze
(Dis)adventures of female desire in the 1940s woman's film
Excess, spectacle, sensation: family melodrama in the 1950s
Performative bodies and non-referential images: excesses of the musical.