SHAKESPEARE AND THE LANGUAGE OF FILM
Filming and Staging Shakespeare: Some Contrasts
The Audience: Individual and Collective Experience
Imagery: Verbal and Visual
Bringing It All Together
THE HISTORY OF SHAKESPEARE ON FILM 1899-2014
Silent Shakespeare
The Thirties: Hollywood Shakespeare
The Forties: Olivier and Welles
The Fifties: Post-war Diversity
The Sixties and Seventies: Cultural Revolution, Filmic Innovation
The Nineties: Branagh's Renaissance and the Shakespeare on Film Revival
Shakespeare on Film in the 21st Century
COMMUNICATING SHAKESPEARE ON FILM: MODES, STYLES, GENRES
The Theatrical Mode
The Realistic Mode
The Filmic Mode
The Periodizing Mode
Film Genre: Conventions and Codes
Genre Conventions and the Shakespeare Film Adaptation
A Cross-cultural Shakespeare Adaptation: Kurosawa's Kumonosu-Jo
CRITICAL ESSAYS
COMEDIES
Introductory Note
Kenneth Branagh's Much Ado About Nothing (UK, 1993)
Adrian Noble's A Midsummer Night's Dream (UK, 1996)
Michael Hoffman's A Midsummer Night's Dream (USA, 1999)
HISTORIES
Introductory Note
Laurence Olivier's Henry V (UK, 1994)
Kenneth Branagh's Henry V (UK, 1989)
Laurence Olivier's Richard III (UK, 1955)
Richard Loncraine's Richard III (UK, 1995)
TRAGEDIES
Introductory
Franco Zeffirelli's Romeo and Juliet (UK/Italy, 1968)
Baz Luhrmann's William Shakespeare's Romeo + Juliet (USA, 1996)
Laurence Olivier's Hamlet (UK, 1948)
Kenneth Branagh's Hamlet (UK, 1996)
Michael Almereyda's Hamlet (USA, 2000)
Orson Welles's Macbeth (USA, 1948)
Roman Polanski's Macbeth (UK, 1971)
SHAKESPEARE ON THE SMALL SCREEN
Film, TV and Small Screen Shakespeare
The BBC-TV Series: Shooting the Complete Canon
The Stage-Screen Hybrid: Shakespeare on TV/DVD/Blu-ray
Appendix: Filming Shakespeare for the Small Screen
An Interview with John Wyver, Illuminations filmmaker and producer
References
Suggested Further Reading
Select Filmography
Some Useful Websites
Glossary of Terms.