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The Wiley-Blackwell history of American film

Title
The Wiley-Blackwell history of American film / edited by Cynthia Lucia, Roy Grundmann, and Art Simon.
ISBN
9780470671153
0470671157
9781405179843
1405179848
Publication
Chichester, West Sussex ; Malden, MA : Wiley-Blackwell, 2012.
Copyright Notice Date
©2012
Physical Description
1 online resource (4 volumes) : illustrations
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Variant and related titles
History of American film
Other formats
Print version: Wiley-Blackwell history of American film. Chichester, West Sussex ; Malden, MA : Wiley-Blackwell, 2012
Format
Books / Online
Language
English
Added to Catalog
April 06, 2016
Bibliography
Includes bibliographical references and index.
Contents
Volume I. Origins to 1928. 1. Setting the Stage. Introduction to Volume I: American Film, Origins to 1928
Writing American Film History / Robert Sklar
2. Origins to 1914
The Early Cinema of Edwin S. Porter / Charles Musser
From Peep Show to Picture Palace: The Early Exhibition of Motion Pictures / Richard Abel
The Imagined Audience in the Nickelodeon Era / Richard Butsch
D.W. Griffith and the Development of American Narrative Cinema / Charlie Keil
Pink-Slipped: What Happened to the Women in the Silent Film Industry? / Jane M. Gaines
3. 1915-1928. Women and the Silent Screen / Shelley Stamp
The Poor Little Rich Girl: Class and Embodiment in the Films of Mary Pickford / Victoria Sturtevant
African-Americans and Silent Films / Paula J. Massood
Chaplin and Silent Film Comedy / Charles J. Maland
The Devil in the Details: Thomas Ince, Intertitles, and the Institutionalization of Writing in American Cinema / Torey Liepa
Erich von Stroheim and Cecil B. DeMille: Early Hollywood and the Discourse of Directorial "Genius" / Gaylyn Studlar
In the Trenches, On the Screen: World War I on Film / Andrew Kelly
American Modern: King Vidor's The Crowd / David A. Gerstner
The Star System / Mark Lynn Anderson
Immigrant Stardom in Imperial America: Pola Negri and the Problem of Typology / Diane Negra
Unsophisticated Lady : The Vicissitudes of the Maternal Melodrama in Hollywood / Lea Jacobs
Two or Three Things We Thought We Knew about Silent Film Sound / Rick Altman
Synchronized Sound Comes to the Cinema / Paul Young
4. Film and Culture: Summary Essays. Helios and the Apocalypse : Visions of American History in Films by Griffith, Ford, and Stroheim / Nicholas Baer
Self-Reflection in American Silent Film / Charles Warren.
Volume II. 1929 to 1945. 1. Setting the Stage. Introduction to Volume II: American Film, 1929 to 1945
Era of the Moguls : The Studio System / Matthew H. Bernstein
2. 1929-1938. Re-visioning Frank Capra / Vito Zagarrio
As Close to Real Life As Hollywood Ever Gets : Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930 / Richard Maltby
Early American Avant-Garde Cinema / Jan-Christopher Horak
1930s Documentary and Visual Culture / Paula Rabinowitz
Hollywood and Spanish-Speaking Audiences / Lisa Jarvinen
Let 'Em Have It : The Ironic Fate of the 1930s Hollywood Gangster / Ruth Vasey
Landscapes of Fantasy, Gardens of Deceit: The Adventure Film Between Colonialism and Tourism / Hans Jürgen Wulff
The Screwball Comedy / William Rothman
Cinema and the Modern Woman / Veronica Pravadelli
Queering the (New) Deal / David M. Lugowski
3. 1939-1945. The Hollywood A-Production Western / Kevin L. Stoehr
There's No Place Like Home: The Hollywood Folk Musical / Desirée J. Garcia
The Magician: Orson Welles and Film Style / James Naremore
Classical Cel Animation, World War II, and Bambi / Kirsten Moana Thompson
Friz Freleng's Jazz: Animation and Music at Warner Bros. / Krin Gabbard
Mapping Why We Fight: Frank Capra and the US Army Orientation Film in World War II / Charles Wolfe
A Victory "Uneasy with Its Contrasts": The Hollywood Left Fights World War II / Saverio Giovacchini
Hollywood Unions and Hollywood Blacklists / Larry Ceplair
4. Film and Culture: Summary Essays. Hollywood as Historian, 1929-1945 / J.E. Smyth
Taking Stock at War's End: Gender, Genre, and Hollywood Labor in The Strange Love of Martha Ivers / Roy Grundmann.
Volume III. 1946 to 1975. 1. Setting the Stage. Introduction to Volume III: American Film, 1946 to 1975
Natalie Wood: Studio Stardom and Hollywood in Transition / Cynthia Lucia
Truthmovies Are Just Beginning: American Independent Cinema in the Postwar Era / Ted Barron
2. 1946-1955. The Politics of Force of Evil: An Analysis of Abraham Polonsky's Preblacklist Film / Christine Noll Brinckmann
The Gun in the Briefcase: Or, the Inscription of Class in Film Noir / Paul Arthur
The Actors Studio in the Early Cold War / Cynthia Baron and Beckett Warren
Hollywood at the Margins: Samuel Fuller, Phil Karlson, and Joseph H. Lewis / Haden Guest
Authorship and Billy Wilder / Robert Sklar
Laughter and Agony in Minnelli's The Long, Long Trailer: Or, "Isn't This Fun, Honey?" / Joe McElhaney
Got-to-See: Teenpix and the Social Problem Picture
Trends and Cycles / Peter Stanfield
3. 1956-1965. Cold War Thrillers / R. Barton Palmer
American Underground Film / Jared Rapfogel
Adults Only: Low-Budget Exploitation / Eric Schaefer
Black Representation in Independent Cinema: From Civil Rights to Black Power / Alex Lykidis
4. 1966-1975. Cinema Direct and Indirect: American Documentary, 1960-1975 / Charles Warren
The Rise of a Film Generation: Film Culture and Cinephilia / Michael Zryd
Comedy and the Dismantling of the Hollywood Western / Teresa Podlesney
The New Hollywood / Derek Nystrom
The Rise and Fall of Blaxploitation / Ed Guerrero
One Big Lousy X: The Cinema of Urban Crisis / Art Simon
Pornography in the Cinema: Last Tango in Paris, Deep Throat, and Boys in the Sand / Linda Williams
Nashville: Putting on the Show: Or, Paradoxes of the "Instant" and the "Moment" / Thomas Elsaesser
Film and Culture: Summary Essays
American Film Criticism / David Sterritt
It's Only a Movie: Reflexivity and Popular Film / Gilberto Perez
Cinema and the Age of Television, 1946-1975 / Michele Hilmes.
Volume IV. 1976 to the Present. 1. Setting the Stage. Introduction to Volume IV: American Film, 1976
Seismic Shifts in the American Film Industry / Thomas Schatz
Independent Film: 1980s to the Present / Geoff King
2. 1976-1988. Reclaiming the Black Family: Charles Burnett, Julie Dash, and the "L.A. Rebellion" / Janet K. Cutler
Feminism, Cinema, and Film Criticism / Lucy Fischer
American Avant-Garde Cinema from 1970 / to the Present / Scott MacDonald
A Reintroduction to the American Horror Film / Adam Lowenstein
Charting the Middle Course: The Star Trek Films and 1980s Science Fiction Cinema / Ina Rae Hark
Back to the Future: Hollywood and Reagan's America / Susan Jeffords
Eros and Thanatos: Hollywood and the Teenage Marketplace / Thomas Doherty
3. 1989-1998. Oliver Stone: Hollywood Historian / Robert A. Rosenstone
Black Crossover Cinema / Keith Harris
The Queer 1990s: The Challenge and Failure of Radical Change / Michael Bronski
24/7: Cable Television, Hollywood, and the Narrative Feature Film / Barbara Klinger
Plasmatics and Prisons: The Morph and the Spectacular Emergence of CGI / Kristen Whissel
4. 1999-Present. Mainstream Documentary since 1999 / Patricia Aufderheide
Truthiness Is Stranger than Fictition: The "New Biopic" / Michael Sicinski
The Coen Brothers and the Post-Hollywood Studio Era / William Luhr
Asia as Global Hollywood Commodity / Kenneth Chan
The Blockbuster Superhero / Bart Beaty
Computer Animation: Margins to Mainstream / Paul Wells
Limited Engagement: The Iraq War on Film / Susan L. Carruthers
American Film After 9/11 / Stephen Prince
5. Film and Culture: Summary Essays. The Biggest Independent Pictures Ever Made: Industrial Reflexivity Today / J.D. Connor
The End of Cinema (As We Know It): American Movies and Movie Business, 1995-2009 / Jon Lewis.
V. 1. Origins to 1928
v. 2. 1929 to 1945
v. 3. 1946 to 1975
v. 4. 1976 to the present.
Genre/Form
Electronic books.
History.
Citation

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