The profitable imagination: poesy, coinage, and the hermeneutic circles of Marlowe's Doctor Faustus
The Jewish economies of Renaissance reading: putting Shylock to good use in Shakespeare's The Merchant of Venice
Good credit and the maintenance of desire in Heywood's Apology for actors and If you know not me, you know nobody, part II
Imaginative alchemy and the face of the sovereign: locating value in Dekker's Old Fortunatus
Banking and the allure of belief: bad credit in Jonson's Volpone.