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Althusser and Pasolini Philosophy, Marxism, and Film

Title
Althusser and Pasolini [electronic resource] : Philosophy, Marxism, and Film / by Agon Hamza.
ISBN
9781137566522
Publication
New York : Palgrave Macmillan US : Imprint: Palgrave Macmillan, 2016.
Physical Description
XI, 202 p. : online resource.
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Summary
Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser’s philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini’s most important films. There is a philosophical, religious, and political relationship between Althusser’s philosophy and Pier Paolo Pasolini’s films. Hamza teases out the points of contact, placing specific focus on critiques of ideology, religion, ideological state apparatuses, and the class struggle. The discussion, however, does not address Althusser and Pasolini alone. Hamza also draws on Spinoza, Hegel, Marx, and Žižek to complete his study. Pasolini’s films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films. Althusser and Pasolini provides a creative reconstruction of Althusserian philosophy, as well as a novel examination of Pasolini’s film from the perspective of the filmmaker’s own thought and Althusser’s theses. .
Other formats
Printed edition:
Format
Books / Online
Language
English
Added to Catalog
July 26, 2016
Contents
Introduction: Althusser and Pasolini
PART I: On Althusser
1. Contextualisation
2. Periodization
3. Taking Sides: Hegel or Spinoza?
4. Structural Causality
5. Althusser before Althusser: from Christianity to Communism
6. Marxists’ Preshistory
7. Proletariat of Human Condition Versus the Proletariat of Labor
8. Christian Materialism
9. Antiphilosophy
10. Definition of Ideology
11. Epistemological Break
12. Interpellation
13. State Apparatuses
14. Church as an Ideological State Apparatus 15. Althusser’s Politics
PART II: The Gospel According to Althusser
16. Setting the Stage
17. Camera as an Ideological Apparatus
18. Film as a Commodity
19. Representation
20. The Christian Reality
21. Religious Suspension of the Theological
22. Religious-Political
us Humanity
25. The Politics of Religion
26. Pasolini’s Political Though
Conclusion: Marxism and Film. .
Also listed under
SpringerLink (Online service)
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