Introduction: How Things Come Into Being
Part I: Situating the Study
1. New Forms of Distinction, New Cultural Institutions
2. Globalization and Artistic Legitimation: Reconceptualizing Bourdieu
Part II: Pop Music Criticism in Italy (1969-1977)
3. Young, Educated and Cosmopolitan: A New Cultural Institution
4. Economic Cosmopolitanism: The Case of Ciao 2001
5. Political Cosmopolitanism: The Case of Muzak and Gong
Part III: Evaluating Music and Music Criticism
6. Aesthetic Encounters: Evaluating Rock, Jazz and Soul
7. Music Magazines as Alternative Public Spheres
Conclusion: The Struggle Goes On < .