A portfolio of twenty photographers' images of American highways, streets and roadside attractions. Two of the photographs are reproductions of images originally printed in the 1936 and 1938; the remaining 18 images date from 1974 to 1981. The portfolio was compiled and published by Victor Landweber and his firm, Landweber/Artists, in 1982. Prints are in various photographic media and are signed by the photographers, with images measuring 16 x 20 inches or presented in museum-board mats measuring 16 x 20 inches. The prints are housed in individual folders imprinted with the artist's name. The portfolio is housed in a custom-designed solander case with a copy print affixed to its lid of a Dorothea Lange photograph known as "The Road West," which shows United States Highway 54 in southern New Mexico in 1938. An eight-page pamphlet accompanies the portfolio. It features a copy print of a Walker Evans photograph mounted on its cover that shows hitchhikers near Vicksburg, Mississippi in February 1936, a short story, "Records of a Travel-worn Camera," by James Richard Hugunin, a sequence of photographs by Nathan Lyons, an index to the prints, biographical data about the photographers, and a map that shows where the photographers were living and where each photograph was made.
Photographers and work represented in the portfolio includes: Jim Alinder, "A Joy Forever, Roadside, Florida," 1974, of an outsider art piece photographed at the side of an inland two-lane blacktop between Key West and Disney World, a black-and-white gelatin silver print; Michael Becotte, "Untitled," 1974, from his book Space Capsule (1975), of a horse on a road photographed on the northern East Coast, sepia and gold-toned gelatin silver print; Michael Bishop, "Untitled," 1974, of a stop sign photographed at the side of United States Highway 1 in Los Angeles, California, Ektacolor RC Print; Ken Brown, "Pink Trailer Tilt," 1976, roadside attraction near Cherokee, North Carolina, Ektacolor RC Print; Barbara Crane, "Bus People," 1975, from her mural commission for the Baxter/Travenol Laboratories, which consists of a composition of collaged images that chiefly depicts a bus printed from negatives made in the vicinity of Chicago, Illinois, black-and-white gelatin silver print; Robert Fichter, "Air Power," 1979, Tallahassee, Florida, black-and-white gelatin silver print that chiefly shows a recruitment billboard for United States Air Force with air-brushed color and rubber stamps; Steve Fitch, "Dinosaur, Highway 40, Vernal, Utah," 1974, from his book Diesels and Dinosaurs (1976), which documents a roadside attraction sculpture of a Tyrannosaurus rex, sepia-toned silver print; Robbert Flick, "East of Lancaster, along Highway 14, California," 1981, from "Sequential Views" series, which show 49 images of the area along California Highway 14 in a single print, black-and-white gelatin silver print; Frank Gohlke, "Aerial View, Tulsa, Oklahoma," 1981, from his mural commission for the Tulsa International Airport, which shows an aerial photograph of a highway construction site, black-and-white gelatin silver print; Harold Jones, "Baptism, Sabino Canyon, Tucson, Arizona," 1976, which documents from a distance automobiles in a parking lot at an outdoor baptism ceremony, black-and-white gelatin silver print; Mark Klett, "Storm Clouds over Eastern Idaho, near Craters of the Moon," 1980, black-and-white gelatin silver print; Victor Landweber, "S.N. Ward and Son Mobil Service, Pasadena, California," 1978, which documents the aftermath of an automobile accident at the side of California State Highway 110, Cibachrome print; Nathan Lyons, "Untitled," 1968, 1969, which sequences two discrete prints in a single mat of advertising for Air Canada and American Airlines in Vancouver, British Columbia, and Los Angeles, California, from his book Notations in Passing (1974), black-and-white gelatin silver prints; Elaine Mayes, "Pegasus," 1972, that chiefly shows a lighted advertising sign for a service station of the Mobil Oil Company the photographed at the New York Thruway, I-87, black-and-white gelatin silver print; Roger Minick, "Airstream at Monument Valley, Arizona," 1979, that shows a travel trailer and the West Mitten Butte and East Mitten Butte, black-and-white gelatin silver print; Tod Papageorge, "Burbank, California," 1973, that documents a Texaco service station near the Burbank airport, black-and-white gelatin silver print; Barbara Jo Revelle, "Untitled," 1981, a composition of four images from Chicago, Illinois, and Los Angeles, California, with a textual reflection on her father and learning how to drive, Ektacolor RC Print; Joel Sternfeld, "Exhausted Renegade Elephant, Woodland, Washington," 1979, documents an escaped elephant on a country road with onlookers on June 27, 1979, Ektacolor RC Print; Henry Wessel, "Tucson, Arizona," 1974, which shows a house behind a hedge of carrizo reeds, black-and-white gelatin silver print; and Robert A. Widdicombe, "Cadillac Ranch, Amarillo, Texas," 1979, that documents a public art installation and sculpture at the side of United States Highway 66, Ektacolor RC Print.