Preface : field notes at the crossroads / by Liam Kelly
Introduction : a ship's log of/to modernism / by Anne Marie Bonnet
On the nature of masquerade / by Brian O'Doherty
Hopper's look
Word and image : a reciprocal arrangement
Windows and Edward Hopper's gaze
Early Sunday morning : a forensic examination
Rothko's dark paintings : tragedy and void
Rothko Chapel
Rothko's endgame
Chamber music in the next room
The politics and esthetics of heart transplants
The microscopic vision
Highway to Las Vegas
Las Vegas, revisited
Miami Beach and the iconography of the pompadour style
Kane's Welles : the phantom of the opus
Et in Arkadin ego
Barzyk-electronic visionary
Nam June : the electronic smile
Hans Richter 1968
FACEtime : Katherina Sieverding and (maybe) Oscar Wilde
Narcissus in Hades
Development errors : Michner's photographs
James Coleman : what waiting can do, given time
Terrible beauty : Steve McQueen's hunger
Nigel Rolfe : two drums
Stella and Hesse : dispatches from the sixties
Segal's metropolis
Warhol : the medium as cultural artifact
The Duchamp portrait
Morton Feldman : the Burgacue years
Divesting the self : a striptease
Rauschenberg/counter-Rauschenberg
Wesley's hip-pop
William Scharf : the long and the short eye
Chamberlain : projective sculpture
Peter Hutchinson : a green thought in a green shade
Joseph Cornell : innocence and experience
Boxes, cubes, installations, whiteness and money.