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Adaptation, Awards Culture, and the Value of Prestige
Title
Adaptation, Awards Culture, and the Value of Prestige [electronic resource] / edited by Colleen Kennedy-Karpat, Eric Sandberg.
ISBN
9783319528540
Publication
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Physical Description
1 online resource (IX, 239 p.) 4 illus., 3 illus. in color.
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Summary
This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature.
Variant and related titles
Springer ENIN.
Other formats
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Printed edition:
Format
Books / Online
Language
English
Added to Catalog
October 31, 2018
Series
Palgrave Studies in Adaptation and Visual Culture
Contents
1. Adaptation and Systems of Cultural Value - Colleen Kennedy-Karpat and Eric Sandberg. 2. Part 1: Adapting Award Winners, Awarding Adaptations - Chapter 2 The Pulitzers Go to Hollywood - Thomas Leitch
3. Chapter 3 Beware of Imitations: All About Eve (1950) - Laurence Raw
4. Chapter 4 Hilary Mantel’s Wolf Hall(s) and the Circulation of Cultural Prestige - Eric Sandberg
5. Chapter 5 Adapting Queerness, Queering Adaptation: Fun Home on Broadway - Joanna Mansbridge.- Part 2: Adaptation, Prestige, and the Canon
6. Chapter 6 Oliver’s Auteurs: The Cases of Lean and Polanski - Jeffrey E. Jackson
7. Chapter 7 Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha - Priyanjali Sen
8. Chapter 8 The Fortunes of Jane Austen as Chick Lit and Chick Flick- Anne-Marie Scholz
9. Chapter 9 Jazz, Prestige, and Five Great Gatsby Film Adaptations - Michael Saffle
10. Part 3: Locating Prestige - Chapter 10 Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige - Colleen Kennedy-Karpat
11. Chapter 11 The Hollywood Remake Massacre: Adaptation, Reception, and Value - Laura Mee
12. Chapter 12 “How Do I Act So Well?” The British ‘Shakespearean’ Actor and Cultural Cachet - Anna Blackwell. .
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