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Impostors : literary hoaxes and cultural authenticity

Title
Impostors : literary hoaxes and cultural authenticity / Christopher L. Miller.
ISBN
9780226590950
022659095X
9780226591001
022659100X
9780226591148 (e-book)
Publication
Chicago : The University of Chicago Press, 2018.
Copyright Notice Date
©2018
Physical Description
x, 240 pages : illustrations ; 24 cm
Local Notes
SML copy signed by author.
Summary
Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the "intercultural hoax." In the United States, such hoaxes are familiar. Forrest Carter's The Education of Little Tree and JT LeRoy's Sarah are two infamous examples. Miller's contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Format
Books
Language
English
Added to Catalog
March 04, 2019
Bibliography
Includes bibliographical references and index.
Contents
The land of the free and the home of the hoax
Slave narratives and white lies
The Forrest and The Tree
Danny Santiago and the ethics of ethnicity
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"I never saw it as a hoax": JT Leroy
Margaret B. Jones, Misha Defonseca, and "stolen suffering"
Minority literature and postcolonial theory
French and francophone, fraud and fake
What is a (French) author?
The French paradox and the francophone problem
The real, the romantic, and the fake in the nineteenth century
The single-use hoax: Diderot's La Religieuse
Merimee's Illyrical Illusions
Bakary Diallo: fausse-bonte
Elissa Rhais, literacy, and identity
Sex and temperament in postwar hoaxing: Boris Vian and Raymond Queneau
Camara lie? two African classics between canonicity and oblivion
Gary/Ajar: the hoaxing of the Goncourt prize and the making-cute of the Immigrant
Who is Chimo? sex, lies, and death in the Banlieue
I can't believe it's not Beur: Jack-Alain Léger, Paul Smail, and Vivre Me Tue
Before "Paul Smail"
Vivre Ne Tue (living kills me, or smile)
The popular press reads Vivre Me Tue
Smail speaks (by fax).
Genre/Form
Criticism, interpretation, etc.
Citation

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