Prologue : movie ruins
Introduction : "Have talent, will travel"
All the world's a studio : the design and debates of postwar "runaway" productions
Case study : tax evasion, red-baiting, and the white whale : Moby Dick (1956)
London, Rome, Paris : the infrastructure of Hollywood's mode of international production
Lumière, camera, azione! : the personnel and practices of Hollywood's mode of international production
Case study : When in Rome : Roman Holiday (1953)
A cook's tour of the world : the art of international location shooting
Case study : Mental spaces and cinematic places : Lust for Life (1956)
Epilogue : sunken movie relics
Appendix : Hollywood's international productions, 1948-1962.