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Illuminated Paris : essays on art and lighting in the belle époque

Title
Illuminated Paris : essays on art and lighting in the belle époque / Hollis Clayson.
ISBN
9780226593869
022659386X
9780226594057
Publication
Chicago : The University of Chicago Press, 2019.
Copyright Notice Date
©2019
Physical Description
x, 228 pages : illustrations (some color) ; 26 cm
Summary
The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec's iconic posters. More recently, the Eiffel Tower's nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there's more to these clich s than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights - themselves dangerous - left figures looking pale and ghoulish. As Clayson shows, artists' representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle poque.
Format
Books
Language
English
Added to Catalog
July 26, 2019
Bibliography
Includes bibliographical references and index.
Contents
Paris, city of éclairage
Cherchez la lampe: Charles Marville, Gustave Caillebotte, and the gas lamppost
Losing the moon: John Singer Sargent in the Jardin du Luxembourg, 1879
Bright lights, brilliant wit: electric light caricatured
Night lights on paper: illumination in the prints of Mary Cassatt and Edgar Degas, 1878-82
Outsider nocturnes: Americans in Paris
Man at the window: Edvard Munch in Saint-Cloud, 1890
Conclusion: art fueled by lights.
Citation

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