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Emerson in Iran The American Appropriation of Persian Poetry

Title
Emerson in Iran [electronic resource] : The American Appropriation of Persian Poetry / Roger Sedarat.
ISBN
9781438474878
9781438474854
Published
Albany : State University of New York Press, [2019] (Baltimore, Md. : Project MUSE, 2015)
Physical Description
1 online resource.
Local Notes
Access is available to the Yale community.
Notes
Description based on print version record.
Access and use
Access restricted by licensing agreement.
Summary
"Emerson in Iran offers the first full-length study of Persian influence in the work of the seminal American poet, philosopher, and translator. Extending the current trend in transnational studies back to the figural origins of both the United States and Iran, insightful comparative readings of Platonism and Sufi mysticism help explain how Emerson managed to reconcile through poetry two countries so seemingly different in religion, philosophy, and politics. Tracking Emerson's various rhetorical strategies through his own interrogation of language and critical readings of literature exposes what can be considered the sustained development of a latent but considerable translation theory. Emerson's practical application of such a theory in his approach to Hafez and Sa'di further demonstrates the extent to which Persian poetry becomes generative in his own nineteenth century, and how such formative effects continue into America's contemporary verse tradition"-- Provided by publisher.
Variant and related titles
Project MUSE - 2019 Complete
Project MUSE - 2019 Literature
Format
Books / Online
Language
English
Added to Catalog
September 09, 2019
Bibliography
Includes bibliographical references and index.
Contents
From Plato to Persia: Emerson's transnational origins
Transparent eyeball/Persian Mirror
Imitation as suicide: Islamic fatalism and the paradox of self-reliance
The subversion of equivalence: Emerson's translation theory in praxis
Americanizing Rumi and Hafez: the return of Emerson's verse translation
The other side of the Persian mirror: Emerson's gaze as necessary corrective.
Also listed under
Project Muse.
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