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Hitchcock's music

Title
Hitchcock's music [electronic resource] / Jack Sullivan.
ISBN
0300134665
9780300134667
0300110502
1281734578
9780300110500
9781281734570
Published
New Haven [Conn.] : Yale University Press, ©2006.
Physical Description
1 online resource (xix, 354 pages) : illustrations, music
Local Notes
Access is available to the Yale community.
Access and use
Access restricted by licensing agreement.
Summary
For half a century, Alfred Hitchcock created films full of gripping and memorable music. Over his long career he presided over more musical styles than any director in history and ultimately changed how we think about film music. This book is the first to fully explore the essential role music played in the movies of Alfred Hitchcock. Based on extensive interviews with composers, writers, and actors, and research in rare archives, Jack Sullivan discusses how Hitchcock used music to influence the atmosphere, characterization, and even storylines of his films. Sullivan examines the director's important relationships with various composers, especially Bernard Herrmann, and tells the stories behind the musical decisions. Covering the whole of the director's career, from the early British works up to "Family Plot", this engaging look at the work of Alfred Hitchcock offers new insight into his achievement and genius and changes the way we watch, and listen, to his movies.
Variant and related titles
EBSCOhost eBook collection, Yale University Press.
Other formats
Print version: Sullivan, Jack, 1946- Hitchcock's music. New Haven [Conn.] : Yale University Press, ©2006
Format
Books / Online
Language
English
Added to Catalog
October 04, 2019
Bibliography
Includes bibliographical references (pages 323-336) and index.
Contents
Overture
The music starts
Waltzes from Vienna : Hitchcock's forgotten operetta
The man who knew too much : storm clouds over Royal Albert Hall
Musical minimalism : British Hitchcock
Rebecca : music to raise the dead
Waltzing into danger
Sounds of war
Spellbound : theremins and phallic frescoes
Notorious : bright sambas, dark secrets
The paradine case : the unhappy finale of Hitchcock and Selznick
Hitchcock in a different key : the post-Selznick experiments
The band played on : a Tiomkin trio
Rear window : the redemptive power of popular music
Lethal laughter : Hitchcock's fifties comedies
The man who knew too much : Doris Day versus the London Symphony
The wrong man : music from the dark side of the moon
Sing along with Hitch : music for television
Vertigo : the music of longing and loss
North by northwest : fandango on the rocks
Psycho : the music of terror
The birds : aviary apocalypse
The music ends : Hitchcock fires Herrmann
Topaz : the music is back
Frenzy : out with Mancini, hold the Bach
Family plot : Hitchcock's exuberant finale
Finale : Hitchcock as maestro.
Genre/Form
Electronic books.
Criticism, interpretation, etc.
Citation

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