Morphology of the Donjuanesque remake
Written landscape: Homer, Dante, Ruskin
Rapt passivity : George Eliot's 'The lifted veil'
Romola on home ground
Patterns of intermittence in Arnold's 'Dover Beach'
Arnold's biblical reductionism
An ouida triptych
A Victorian oxymoron : the 'mastering' and 'Merciful god'
Did Hopkins believe in metempsychosis?
T.S. Eliot, the melodramatic and armadale
Joyce's Italian 'frenemy'
A neglected dialogue : Joyce and Giuseppe Giacosa.