"Eine wahre Olla Patrida [sic]": Anna Milder-Hauptmann, Schubert, and programming the Orient / Susan Youens
Song in concert as observed by the Schumans: toward the personalization of the public stage / Benjamin Binder
From miscellanies to musical works: Julius Stockhausen, Clara Schumann, and Dichterliebe / Natasha Loges
Natalia Macfarren and the English German lied / Katy Hamilton
"For any ordinary performer it would be absurd, ridiculous, or offensive": performing lieder cycles on the American stage / Heather Platt
The concert hall as a gender-neutral space: the case of Amalie Joachim, nèe Schneeweiss / Beatrix Borchard ; translated by Jeremy Coleman
Nikolai Medtner: championing the German lied and Russian spirit / Maria Razumovskaya
From the benefit concert to the solo song recital in London, 1870-1914 / Simon McVeigh and William Weber
German song and the working classes in Berlin, 1980-1914 / Wiebke Rademacher
Lili Lehmann's dedicated lieder recitals / Rosamund Cole
"Eine Reihe bunter Zauberbilder": Thomas Mann, Hans Pfitzner, and the politics of song accompaniment / Nicholas Attfield
Performers' reflections / Natasha Loges and Laura Tunbridge.