Introduction: Of foreign lands and peoples / David Vondráček
(De-)constructing the enemy in Early Modern music and dance / Moritz Kelber
German music in the Japanese press during the Nazi era / Minari Bochmann
Octatonic ambiguities / Nikola Komatović
'Du paradis rêvé': the Orient in the male imagination in Saint-Saëns's La princesse jaune / Emma Kavanaugh
Love thy enemy as thyself?: poetics of the 'other' in Rudolf von Gottschall's Rose vom Kaukasus and Alexander Zemlinsky's Sarema / Sebastian Bolz
The 'other' in Czech music - between attraction and aversion / Lenka Křupková
Early Janáček as seen by German critics / Miloš Zapletal
Folklorism, symmetry and tritone: Béla Bartók's Piano quintet from 1904 as a key work for the composer's development / Hartmut Schick
The cults of composers and their influence on music analysis / Dániel Nagy
Contemporary musicology in a neither/nor state: challenging the status of music(ologic)al periphery / Bojana Radovanović
Negating the West, going East: on socialist realism in Yugoslavia (1945-1950) / Miloś Bralović
Music in the war films of the Yugoslav and post-Yugoslav period: case studies of Battle of Neretva and Before the rain / Ana Djordjević
Popular music in intercultural language teaching / Olga Stojanović Frechette
'Vanilla and Chilli' in Lithuanian minimalism: tropes of liminality in discourse around the 'machinist' generation / Claire McGinn.