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The Oxford handbook of contemporary ballet
Title
The Oxford handbook of contemporary ballet / edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen.
ISBN
9780190871529 (online resource) :
Publication
New York : Oxford University Press, 2021-
Physical Description
1 online resource : illustrations.
Frequency
Monthly
Local Notes
Access is available to the Yale community.
Notes
Description based on online resource; title from home page (viewed on April 9, 2021).
Access and use
Access restricted by licensing agreement.
Summary
The Oxford Handbook of Contemporary Ballet looks at the many ways ballet functions as a global practice in the 21st century, providing new perspectives on ballet's past, present, and future. This handbook is currently in development, with individual articles publishing online in advance of print publication.
Variant and related titles
Handbook of contemporary ballet
Contemporary ballet
Oxford handbooks online.
Other formats
Print version :
Format
Online
Language
English
Added to Catalog
April 22, 2021
Series
Oxford handbooks online
Bibliography
Includes bibliographical references.
Contents
Wayne McGregor: Thwarting Expectation at The Royal Ballet / Jo Butterworth, Wayne McGregor
Reclaiming the Studio: Observing the Choreographic Processes of Cathy Marston and Annabelle Lopez Ochoa / Carrie Gaiser Casey
Ballet at the Margins: Karole Armitage, Bronislava Nijinska and Philosophies of (Contemporary) Ballet / Molly Faulkner, Julia K. Gleich
Contemporary Partnerships: An Exploration of Gender Roles and Choreographic Invention at the New York City Ballet / Russell Janzen
On “Contemporaneity” in Ballet and Contemporary Dance: Jeux in 1913 and 2016 / Hanna Järvinen
Contemporary Repetitions: Why The Nutcracker (Still) Matters / Michelle LaVigne
Maguy Marin's Social and Aesthetic Critique Maguy Marin's Social and Aesthetic Critique / Mara Mandradjieff
Performing the Past in the Present: Uncovering the Foundation of Chinese Contemporary Ballet / Rowan McLelland
Inside Enemy / Thomas McManus
Feminist Practices in Ballet: Katy Pyle and the Ballez / Gretchen Alterowitz
Amy Seiwert: Okay, Go! (Improvising the Future of Ballet) / Ann Murphy
Cathy Marston: Writing Ballets for Literary Dance(r)s / Deborah Kate Norris
William Forsythe: Stuttgart, Frankfurt, and the Forsythescape / Ann Nugent
Alonzo King Lines Ballet: Voicing Dance / Jill Nunes Jensen
Costume / Caroline O'Brien
Talking Shop: Interviews about ballet, dancing and making dances with Benjamin Millepied, Justin Peck and Troy Schumacher / Roslyn Sulcas
On Physicality and Narrative: Crystal Pite's “Emotional Universality” in The Royal Ballet's Flight Pattern (2017) / Lucía Piquero Álvarez
New Narratives from Old Texts: Contemporary Ballet in Australia / Michelle Potter
What is a Rehearsal in Ballet? / Janice Ross
Jean-Christophe Maillot: Ballet, Untamed / Laura Cappelle
Gods, Angels, and Björk: David Dawson's Anima Animus, Arthur Pita's Björk Ballet, and Contemporary Ballet / Jennie Scholick
Alexei Ratmansky's Abstract-Narrative Ballet / Anne Searcy
Christopher Wheeldon: An Englishman in New York / Rachel Straus
William Forsythe: Creating Ballet Anew / Susan Leigh Foster
Narratives of Progress and Les Ballets Jazz de Montréal / Melissa Templeton
Shapeshifters and Colombe's Folds: Issey Miyake's “One Piece of Cloth” and Balletic Topologies in William Forsythe's The Loss of Small Detail / Tamara Tomić-Vajagić
Royal Ballet of Flanders under Sidi Larbi Cherkaoui: Macro Dramaturgical and Networked Programming as Future Strategies / Lise Uytterhoeven
The Disappearance of Poetry and the Very, Very Good Idea / Freya Vass
Akram Khan's Influence on the Development of Contemporary Ballet / Graham Watts
Between Two Worlds: Christopher Wheeldon and The Royal Ballet / Zoë Anderson
Balancing Reconcilation: The Royal Winnipeg Ballet's Going Home Star: Truth and Reconcilation / Bridget Cauthery, Shawn Newman
Dance Theatre of Harlem: Radical Black Female Bodies in Ballet / Tanya Wideman-Davis
Living in Counterpoint / Norah Zuniga Shaw
Fusion and Renewal in the Works of Jiří Kylián: / Katja Vaghi
Hans Van Manen: Between Formal Austerity and Dramatic Expression / Anna Seidl
Liam Scarlett: “Classicist's Eye...Innovator's Urge” / Susan Cooper
John Cranko's Stuttgart Ballet: A Legacy / E. Hollister Mathis-Masury
Ballet Gone Wrong: Michael Clark's Permitted Deviations / Arabella Stanger
Twyla Tharp's Classical Impulse / Kyle Bukhari
/ Henrique Rochelle
Huff! Puff! And Blow the House Down: Contemporary Ballet in South Africa / Gerard M. Samuel
Ballet Austin / Caroline Sutton Clark
The Cuban Diaspora: Stories of Defection, Brain Drain and Brain Gain in Ballet's Global Labor Market / Lester Tomé
Transmitting Passione: Emio Greco and the Ballet National de Marseille / Sarah Pini, John Sutton
Mark Morris: Clarity, A Dash of Magic, and No Phony Baloney / Gia Kourlas
Copy Rites / Rachana Vajjhala
Ratmansky: From Petipa to Now / Apollinaire Scherr
Gender Progress and Interpretation / Jennifer Fisher
Justin Peck: Everywhere We Go (2014) A Ballet Epic for Our Time / Mindy Aloff
Introduction: On Contemporaneity in Ballet: Exchanges, Connections, and Directions in Form / Kathrina Farrugia-Kriel, Jill Nunes Jensen
Weaving Apollo: Neoclassical Ballet and Female Authorship / Emily Coates
The Race of Contemporary Ballet: Interpellations of Africanist Aesthetics / Thomas F. DeFrantz
James Kudelka: Love, Sex, and Death / Amy Bowring, Tanya Evidente
Mauro Bigonzetti / Kathrina Farrugia-Kriel.
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