Barrie Kosky on the contemporary Australian stage [electronic resource] : affect, post-tragedy, emergency / Charlotte Farrell.

Abingdon, Oxon ; New York : Routledge, 2022.

1 online resource.

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Electronic reproduction. London Available via World Wide Web.

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Charlotte Farrell is a theatre and performance studies scholar. She holds a PhD from the University of New South Wales, Sydney. Farrell has taught at both UNSW and in the Dramatic Literature program at New York University.

Print version:

Books / Online

English

November 12, 2021

Includes bibliographical references and index.

<P><EM>List of Figures</EM>; <EM>Acknowledgements</EM>; "Where the Imagination Can Run Riot": Introducing Barrie Kosky, Affect, and Post-Tragedy; 1. Contextualizing Barrie Kosky in Contemporary Australian Theatre; 2. "Exciting and Raw, Sweaty and Nightmarish": Affect and The Real in <I>The Dybbuk</I>; 3. Barrie Kosky's <I>King Lear</I>: A Post-Tragedy; 4. <I>The Lost Echo</I>: Rethinking (Post-)Tragic Catharsis as Emergency; 5. <I>Women of Troy</I>: Post-Tragic Spectatorship, Allegory, and Violence; Conclusion: Barrie Kosky's Theatre of Post-Tragic Affects; <EM>Index</EM></P>

Kosky, Barrie > Criticism and interpretation.