Framing Lutheran music culture / Mattias Lundberg, Maria Schildt and Jonas Lundblad
The Word of God and music in Luther: re-reading Luther's 1538 Rhau preface / Dietrich Korsch
"Musicam semper amavi": What is remarkable about Luther's views on music / Eyolf Østrem
Did the choir introduce German humns to the Wittenberg Congregations? / Robin A. Leaver
Liturgical foundations from the Court of Maximillian I and the hope of salvation / Grantley McDonald
Joahnn Reusch's Zehen deudscher Psalm Davids (1551) and the circulation of German Psalm motets in Northern Europe / Maria Schildt
Luther, Mattheson, and the joy of music / Joyce L. Irwin
Reading belief through compositional unity: J. S. Bach's resonse to a Lutheran theology of proportions / Ruth Tatlow
J. S. Bach, the Fuga Contraria, and the Lutheran concept of Umkehr / Pieter Dirksen
"Defenders of music" as a topos of collective self-fashioning in Lutheran writings from Early Modern Sweden / Mattias Lundberg
Luther in Felix Mendelssohn Bartholdy's Hymn of Praise / Michaela G. Grochulski
The "Lutheran Style": Aesthetics, theology and politics in Oskar Söhngen's writings / Jonas Lundblad
Beyond "Church-dividing" differences: music and new ecumenical perspectives on justification / Chiara Bertoglio
Lutheran music culture - a reflection / John Butt
Appendix 1: Martin Luther's 1538 draft to the Encomion musices
Appendix 2: Preface by Johannes Bugenhagen to Balthasar Resinarius: REsponsorium numero octoginta de temore, 1544
Appendix 3: Preface by Philipp Melanchthon to Johann Reusch: Zehen deudscher Psalm Davids, 1551.