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Religion and popular music artists, fans, and cultures

Title
Religion and popular music [electronic resource] : artists, fans, and cultures / [edited by] Andreas Häger.
ISBN
9781350001596 (online)
9781350001473 (hardback)
9781350001480 (paperback)
9781350001497 (electronic book)
9781350003712 (PDF)
Published
New York : Bloomsbury Academic, 2018.
Physical Description
1 online resource (264 p.)
Local Notes
Access is available to the Yale community.
Notes
Electronic reproduction. London : Bloomsbury Publishing, 2014. Available via World Wide Web. Access limited by licensing agreement.
Access and use
Access restricted by licensing agreement.
Summary
"Bob Dylan's brief overt involvement in Christianity, his Jewish background, as well as the use of biblical material in his works, have led to a continuing discussion among fans and critics regarding his relation to religion. This relation is here studied in the context of the "rock mass." This is a communion service, which is set to some form of popular music, in this case by Dylan. The material comes from Dylan masses in mainline Protestant churches in Scandinavia and North America. The chapter looks at stated reasons for using Dylan in church, the means through which Dylan's music is adapted to serve as liturgy, and at various non-verbal practices negotiating the balance between understanding the event in question as a divine service or as a concert. Through in-depth case studies, Religion and Popular Music explores encounters between music, fans, and religion. The book examines several popular music artists - including Bob Dylan, Prince, and Katy Perry - and looks at the way religion comes into play in their work and personas. Genres explored by contributing authors include country, folk, rock, metal, and Electronic Dance Music. Case studies in the book originate from a variety of geographic and cultural contexts, focusing on topics such as nationalism and hard rock in Russia, fan culture in Argentina, and punk and Islam in Indonesia. Chapters engage with the central issue of how global music meets local audiences and practices, and considers how fans as well as religious groups react to the uses of religion in popular music. It also looks at how they make these interactions between popular music and religion components in their own identity, community, and practice. Tapping into a vital and lively topic of teaching, research, and wider cultural interest, and employing diverse methodologies across musicians, fans, and religious groups, this book is an important contribution to the growing field of religion and popular music studies."--Bloomsbury Publishing.
Variant and related titles
Bloomsbury Popular Music.
Other formats
Also issued in print.
Original
Format
Books / Online
Language
English
Added to Catalog
June 23, 2022
Series
Bloomsbury studies in religion and popular music.
Bloomsbury studies in religion and popular music
Bibliography
Includes bibliographical references (p. 201-249) and index.
Contents
Part 1. Artists
Part 2. Fans
Part 3. Cultures.
Also listed under
Citation

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