PART ONE. Type 1. Group Coproduction: Collaboration Between Individuals ; Producing Together / Robert Wilsmore ; Creativity and the Production Habitus / Christopher Johnson ; The Production Habitus of Smoke Rainbows
Music Minds Matter (Abbey Road Case Study No.1) / Christopher Johnson ; Lauren Christy and The Matrix Production Team: Coproduction in Familial Mode (The Three-headed Monster and the Butterfly Collector) / Robert Wilsmore ; Hierarchical Production and Complementarity, Before, During and After PWL. An Interview with Phil Harding / Christopher Johnson and Robert Wilsmore ; Group Genius, Scenius, the Invisible and the Oblique: Eno, Lanois and Communities of Creativity / Robert Wilsmore ; Grace Jones, Spontaneity and Collaboration in the Moment : An Interview with Bruce Woolley / Christopher Johnson and Robert Wilsmore ; Small Things of Value: Marginalia, Mental Health and Coproduction (Abbey Road Case Study No.2, Part 1) / Robert Wilsmore ; Something of Value: Coproducing with Converge, a University-based Educational Programme for Adults with Mental Health Difficulties (Abbey Road Case Study No.2, Part 2) / Ruth Lambley
PART TWO. Type 2. Internal Coproduction: The Self as Many. The Artistic Self and the Cycle of Production / Christopher Johnson ; Silver Glass: Re-production / Christopher Johnson ; Play One We Know! A Pub Singer's Struggle to Retain His Integrity Whilst Remaining Entertaining / Christopher Johnson
PART THREE. Type 3. Coproduction Without Consent: Denial or Unknowing Collaboration. The Song of a Thousand Songs: Popular Music as Distributed Collaboration (Toast Theory, Part 1) / Robert Wilsmore ; Removing Non-sonic Signifiers from Endings (Toast Theory, Part 2) / Robert Wilsmore ; The Ancient Art of Remixing / Robert Wilsmore
PART FOUR. Type 4. Deproduction: The Collective Disappearance of Production. On Writing Every Song / Robert Wilsmore and Phillip Brady ; The Mathematics of Writing Every Tune / Phillip Brady and Robert Wilsmore ; Deproduction / Robert Wilsmore.