Publication
Toluca de Lerdo, Estado de México : FOEM, Fondo Editorial Estado de México : Universidad Autónoma del Estado de México, 2022.
Summary
Part of a new series on art/photography of young artists, illustrators, photographers in the State of Mexico. Andrea Zelaya's women, spectators of the world and of themselves, are eroticism contained in their contemplative solitude, meditated oils that privilege color and line, where successive layers are not hidden, revealing a pictorial process that emulates the contemplation of waiting. In this pictorial series, the viewer is a participant and protagonist of the monotony of waiting and the hope of an uncertain future.