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Interruptions in early modern English drama

Title
Interruptions in early modern English drama / Michael M. Wagoner.
ISBN
9781350238312
1350238317
9781350238343
1350238341
9781350238336
9781350238329
9781350259874
Publication
London ; New York : The Arden Shakespeare, 2023.
Copyright Notice Date
©2023
Physical Description
x, 284 pages : illustrations (black and white) ; 23 cm.
Summary
"From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing how these everyday occurrences, when transformed into aesthetic phenomena, reveal the connections among characters, between actor and audience, and between text and reader. To interrupt, both on stage and off, is to wrest power. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner considers early modern drama as an exemplary, influential moment of dramatic output. This study examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms such as conventions and dramaturgy. Studying interruptions may indicate aspects of authorial style, emphasizing a playwright's use and control of a text and its implications and expectations. Exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago or Macbeth and the Ghost of Banquo. Interruptions, as a form on the stage, codify and expose these balances and imbalances of power"-- Provided by publisher.
Other formats
ebook version :
Format
Books
Language
English
Added to Catalog
April 05, 2023
Series
Arden studies in early modern drama.
Arden studies in early modern drama
Bibliography
Includes bibliographical references (pages 259-277) and index.
Contents
Section I. Microinterruptions
Dialogue
Self
Action
Section II. Macrointerruptions
Dramaturgy
Convention
Continuation.
Citation

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