Introduction: Literary history and the theory of reflexive realism
From digressions to intrusions : the historical paradox of authorial commentary
Against sympathy : the self-examining heroine and the origins of free indirect discourse
Interiority and the end of consciousness : from the conduct scene to the sex scene
Dying to tell about it : the autothanatographic impulse of first-person narration
Beyond the threshold : accounting for the self as other
Conclusion: The exhaustion of fictionality : metamodernism and the (auto)fictional pact.