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Six chamber cantatas (1708) : works for soprano or alto with two flutes, bassoon, and basso continuo from A-Wn, Mus.Hs.17587
Uniform Title
Works. Selections
Title
Six chamber cantatas (1708) : works for soprano or alto with two flutes, bassoon, and basso continuo from A-Wn, Mus.Hs.17587 / Antonio Bononcini ; edited by Lawrence Bennett.
ISBN
9781987205343
9781987205336
Publication
Middleton, Wisconsin : A-R Editions, Inc., 2020.
Copyright Notice Date
©2020
Physical Description
1 online resource (1 score (xv, 162 pages, 3 unnumbered pages of plates) + 1 set of 4 parts (40 pages)) : facsimiles.
Local Notes
Access is available to the Yale community.
Notes
Works 1-3 for soprano voice and instruments; works 4-6 for alto voice and instruments.
Edited from manuscripts in the music division of the Austrian National Library in Vienna.
Includes introduction with biographical notes, historical notes on Bononcini's cantatas, and notes about the six cantatas from A-Wn, Mus.Hs.17587.
Includes critical report with sources, editorial methods, and critical notes in English.
Staff notation.
Italian words; also printed as texts with English translations on pages xii-xv; all notes in English.
Online resource (A-R Editions, viewed January 26, 2021).
Access and use
Access restricted by licensing agreement.
Summary
"During the first decade of the eighteenth century, a new generation of Italian composers brought the latest styles to a Vienna lagging behind the musical innovations that were occurring in cities such as Venice, Rome, and Naples. Among the intrepid individuals to join the Habsburg court was the north Italian composer Antonio Maria Bononcini (1677-1726). When Antonio began his service to the Habsburg emperor, he was still a young and little-known composer, but it was in Vienna that he distinguished himself as one of his generation's most gifted composers of dramatic vocal music. The six cantatas by Antonio Bononcini found in this edition, from the Viennese manuscript A-Wn, Mus.Hs.17587, represent the new Italian style that flourished at the imperial Viennese court of Emperor Joseph I. Through their innovative use of form, design features, and affective harmony, melody, and rhythm, they demonstrate that, although Antonio's cantata output is much smaller than that of his more famous brother Giovanni, his compositional style reveals a composer of superior craftsmanship and imagination." -- Provided by publisher.
Variant and related titles
Recent researches in music online. Ongoing.
Other formats
Print version: Bononcini, Antonio Maria, 1677-1726. Works. Selections. Six chamber cantatas (1708). Middleton, Wisconsin : A-R Editions, 2020.
Format
Music Scores / Online
Language
Italian
Added to Catalog
March 29, 2023
Series
Recent researches in the music of the Baroque Era ; 212
Recent researches in Music Online,
Bibliography
Includes bibliographical references.
Contents
Tutta fiamme, e tutta ardore. Aria : Tutta fiamme, e tutta ardore ; Recitative : Se con un guardo solo ; Aria : Un cor più tormentato
Mentre in placido sonno. Recitative : Mentre in placido sonno ; Aria : Un solo amplesso almeno ; Recitative : Oh, se qual vidi in sogno ; Aria : Se Amore pietoso
Occhi, voi che mirate. Recitative : Occhi voi che mirate ; Aria : Men crudele, e men severo ; Recitative : Ma poi se i lumi miei ; Aria : Per non arder più d'amor
Quando vedo a mille rose. Aria : Quando vedo a mille rose ; Recitative : Quella con cento baci ; Aria : A l'incostante amante
Amore ingannatore. Aria : Amore ingannatore ; Recitative : Io che con tanta fede ; Aria : S'io ritorno a innamorarmi
Se avessi in mezzo al petto. Recitative: Se avessi in mezzo al petto ; Aria : Più fido del mio core ; Recitative : Alma non ti avvilir, che un di pietosa ; Aria: La doblia ch'io sento.
Genre/Form
Electronic books.
Cantatas.
Songs.
Chamber music.
Scores.
Parts (Music)
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