Cover
Title Page
Copyright Page
Contents
1 What Is a Data-DrivenHistory of Art?
2 The Historical Data of the Art World
3 Between City and Country: Industrialization and Images of Nature at the Paris Salon
4 Why Have There Been No Great Women Artists? Artistic Labor and Time-Constraint in Nineteenth-CenturyAmerica
5 Implied But Not Shown: Empire at the Royal Academy
6 Conclusion
Appendices
A Further Information about Compilation of and Access to Data Sources
B A Brief Historiography of the Study of Jean-François Millet and the Relationship between City and Country in Nineteenth-Century French Rural Genre Painting
C Subject Headings in the Whiteley Index Identified as Rural, Industrial, Religious, and Family Tags
D Full Regression Tables, How to Read Regression Tables, and Further Discussion of Results
E French Transcription of Letters Written by Jean-FrançoisMillet
F Still Life Keywords Identified in Titles of Works Exhibited at the National Academy of Design, 1826-1900
G Further Information about Geographic Classifications of Royal Academy Data and Imperial Keywords
Acknowledgments
Notes
Bibliography
Index